welcome and enjoy!

Hi and welcome to my blog about comics from other people’s childhood! It is dedicated primarily to British humour comics of the 60s and 70s. The reason they are not from my childhood is simply because I didn’t live in the UK back then (nor do I live there now). I knew next to nothing about them until fairly recently but since then I’ve developed a strong liking for the medium and amassed a large collection, including a number of complete or near complete sets. My intention is to use this blog as a channel for sharing my humble knowledge about different titles, favourite characters and creators as I slowly research my collection.

QUICK TIP: this blog is a sequence of posts covering one particular comic at a time. The sequence follows a certain logic, so for maximum results it is recommended that the blog is read from the oldest post up.

Copyright of all images and quotations used here is with their respective owners. Any such copyrighted material is used exclusively for educational purposes and will be removed at first notice. All other text copyright Irmantas P.



Showing posts with label Ken Reid. Show all posts
Showing posts with label Ken Reid. Show all posts

Friday, July 31, 2015

AGHHH-IT'S-'IM-JONAH: ORIGINALS VS. REPRINTS


Jonah by Ken Reid is a classic and one of the highlights of Ken’s career.

When I first set out to collect the complete run of Jonah some 7 yrs. ago, I realised it was going to be quite a challenge and thought I’d be better off collecting reprints instead (in parallel…).

In case you didn’t know, Ken’s original Jonah series started in The Beano No. 817 (March 15th, 1958) and concluded in No. 1090 (August 8th, 1963); b/w reprints can be found in Hornet Nos. 395 – 623 (3rd April, 1971 - 16th August, 1975), and then in Buddy, in full colour/ part colour, in all 130 issues of the comic (Feb. 14th, 1981 – Aug. 6th, 1983).

Unless one has access to complete sets of the comics concerned, there's no way of knowing how much of the original series was reprinted and in what order, or how much of the artwork/text remained as it was in the reprints. I have the complete original run in the Beano and the full 130-issue set of Buddy with Jonah reprints in nearly every issue, also a large pile of Hornets from the period in question but not a complete run. For what I’ve seen, the reprints in Hornet are faithful reproductions of the strip as it appeared in The Beano, minus colour. Therefore, comparing the Beano and the Hornet versions of Jonah wouldn’t be very interesting because they are essentially identical. I can show one or two examples in the future, if anyone is curious.

The reprints in the 80s Buddy are in colour/part-colour, with a different lettering but without major text alterations. To illustrate the difference, I’ll show two consecutive original episodes from The Beano alongside with reprints in Buddy more than 20 years later. Here’s the first part, with matching rows of the two versions side-by side.  

Be sure to come back for part two because I will show a few panels of Ken’s original Jonah artwork from the next episode. 

(click to enlarge!)






Saturday, July 25, 2015

KEN REID IN SUNDAY EXPRESS



In addition to his comics work for Britain’s major publishers of children’s funnies and Fudge the Elf strip in Manchester Evening News, Ken Reid illustrated weekly competitions for the Irish Edition of Sunday Express

He did four series between 1956 and 1970. They were Horse Pics, Horse Clues, Inn Signs and Titles (in order of appearance), a total of nearly 700 drawings. The printed version was only 2 ½ x 2 ½ inches, original drawings were 4 times larger. 

Here are some cut-outs of Inn Signs (the rusty staple mark shows how small they were in the paper):




The competitions were quite challenging – readers had to select five names out of eight provided (eleven in the case of the earlier competitions) and list them in correct order in the entry coupon. Ken had a completely free hand devising illustrations and thinking up names, sometimes as many as a couple of dozen of them, for the editor to choose from.

Here are some examples of Titles. I have quite a few more of those and can show them in another blogpost, if there’s enough interest, so do let me know :) The challenge was to select the most suitable titles for a book based on cover illustration:


There is something about the competitions that I don’t quite understand, perhaps some of my learned readers would be able to help me. Horse Pics and Horse Clues were usually humorous drawings with no horses. Why were they called Horse Pics and Horse Clues then? Does the word “horse” refer to something else other than the familiar domesticated mammal in this case?

Friday, July 3, 2015

DAFT MARINERS OF CANALS AND THE HIGH SEAS




Nautical antics was one of Ken Reid’s favourite themes. The Queen of the Seas in SMASH! comic is a classic example considered by many to be his best work.



Interestingly, my mate and UK comics collector and researcher extraordinaire Peter Hansen has discovered that Ken’s inspiration for the pompous skipper Enoch Drip and his one-man-crew Bertram Bloop came from the 1964 British comedy film The Bargee by Duncan Wood.



The film is about two boatmen operating a commercial canal-boat. The main character is Hemel Pike (played by Harry H. Corbett) who is quite a bit of a lothario with girlfriends all across the canal network. As such, Hemel wasn’t suitable for a children’s paper, but his cousin Ronnie (played by Ronnie Barker) became the prototype for Ken’s Bertram Bloop:



.. while the character of the inept mariner (played by Eric Sykes) was the inspiration behind Queenie’s skipper:






Ken actually owned a boat and had quite a few comical adventures when sailing the canals. If you take a close look, Enoch Drip often looks like Ken’s self-portrait.


Monday, April 27, 2015

MONSTER FUN ANNUAL 1985



The 9th and the last MONSTER FUN Annual had 96 pages and cost £2.75.

Contents: The Little Monsters (in colour on front endpapers by Martin Baxendale + 3 pages of reprints by Sid Burgon), Draculass (two 2-pagers by Terry Bave, including one in colour), X-Ray Specs (two 3-pagers by Paul Ailey, including one in colour), Frankie’s Diary (two one-page sets by Jim Crocker), Tom Thumbscrew (two 2-pagers by Norman Mansbridge, reprints), Teddy Scare (two 2-pagers by Barrie Appleby), Dough Nut and Rusty (two 2-pagers by Trevor Metcalfe, reprints), Terror TV (two 3-pagers by Barrie Appleby, including one in colour), Horror Alphabet feature (3 pages by Jim Crocker), Eric Intrepid Dinosaur Hunter (4-pager by Mike Green), Creature Teacher (two 2-pagers by Tom Williams, reprints), Freaky Fotos feature (3 pages of b/w photos), Frankie Stein (a 6-pager by Ken Reid), Martha’s Monster Make-Up (two 2-pagers, probably by Keith Robson), Art’s Gallery (a 3-pager by Mike Lacey, reprint),  Gums (a 6-pager by Ian Knox), Brainy and His Monster Maker (two 2-pagers), Major Jump Horror Hunter (a 2-pager (reprint) and a 4-pager (new) by Ian Knox), Holiday Heroes (a 4-pager, probably by Chas Sinclair), Kid Kong (a 6-pager by Ian Knox), Puzzles (2 pages by Cliff Brown), Doctor Ericstein Monster Maker (a 4-pager by Mike Green, in colour).

The book begins with another cheerful panoramic set of the Little Monsters by Martin Baxendale, his only one in this book:


There are a couple of previously unseen fun features, such as Freaky Fotos:


… and Horror Alphabet – a three-page set by Jim Crocker. Here’s a sample page:


Paul Ailey provided two sets of X-Ray Specs. In one, Ray stops a raid on the bank, and in the other one he helps land a plane at New York airport in thick fog:


Mike Green contributed two stories of Eric – the lad who creates things from the junk found in Dad’s scrap-yard. In Eric Intrepid Dinosaur Hunter Eric gets an idea to make some money by selling a fake dinosaur to the city museum:


… and in Doctor Ericstein Monster Maker he tries to become rich and famous by creating his version of the Frankenstein monster:


Ken Reid illustrated a new story of Frankie Stein. Ken’s style had become rather uninspired and monotonous by then but the 6-page set, drawn with meticulous precision, is quite remarkable because it was Ken’s first Frankie Stein in nearly two decades since he stopped drawing it in WHAM! comic in 1967. In this episode Prof. Cube takes Frankie to audition for the leading role in the re-make of Frankenstein film:


The Annual has two helpings of Martha’s Monster Make-Up – the feature that Ken Reid used to draw in Monster Fun Comic weeklies. Both sets were illustrated by someone else who had studied Ken’s style and tried to imitate it to the best of his ability. I will take a guess that the artist was a one-time BUSTER sub Keith Robson who occasionally stepped in for Ken Reid on Faceache and other strips in the seventies. Here is a sample page from the Annual:


Barrie Appleby drew both Terror TV episodes. One is a western story of Alias Smith and Bones, while the second one features TV at Midnight – the show that makes the late night horror movie look like cartoon-time:


It was the second year in a row that Major Jump Horror Hunter was presented in the form of puzzles; here are the first two pages:


I am unsure who illustrated it but I think it may have been Ian Knox who also provided two surprise sets of strips that were usually given to other artists to draw. In Gums, the cunning Captain Mayhem swindles Gums out of his false teeth and sends them off to space tied to a US rocket. Cap’n Mayhem’s fiendish plan is to starve Gums into becoming his pet performer for food.  The US space shot finally shakes off Gum’s false teeth and they zonk straight back into the shark’s mouth. Gums wastes no time switching places with his tormentor:


The other surprise set by Ian Knox is this 6-pager of Kid Kong in which the gorilla is sent on a mission to save the world from the evil Doctor Bananas. Here it is in full:


This post marks the end of my Monster Fun Comic series in which I covered the developments in the life of the comic, provided an account of each strip that appeared during its relatively short run, and reviewed all MFC Holiday Specials and Annuals. MONSTER FUN COMIC is the third comic after COR!! and SHIVER AND SHAKE covered in this fashion on this blog. I have no plans to undertake another project like this in the immediate future but will add the odd blogpost until I have more time and enthusiasm to resume regular blogging.

All Images 2015 © Egmont UK Ltd.  All rights reserved. Used with permission.