ATLANTIC CROSSING - PART TWO

Before travelling to San Francisco, I googled for information about the famous underground comics scene of the early 70s and found this article.

I took metro street car line J from Downtown to Church/24th St station and spent a couple of hours in Mission District (the epicentre of action in the late 60s and the early 70s) looking for the places indicated on this map of underground comix artists and companies during the early seventies:

Below are my pictures of the spots marked on the map. It shows no house numbers but the map was quite easy to read and I hope I managed to capture the right buildings.

No. 1 marks the place of Roger Brand (contributor to Banzai!, Blab!, Candid Press, Insect Fear, Real Pulp Comics, Tales of the Leather Nun, Tales of Sex and Death, Yellow Dog and Young Lust; view Lambiek Comicopedia entry here) and Michelle Brand: 

No. 2: Apex Novelties operated by Don Donahue (publishers of Zap Comix, Snatch Comics, Terminal Comics and Mr. Natural among many others). The building that housed them was somewhere in the middle of this street:

 

No. 3: Bill Griffith (best known for his daily comic strip Zippy; view Lambiek Comiclopedia entry here) & Diane Noomin (best known for her character Didi Glitz; check out her website here) and Willy Murphy (producer of a series of comics called SF Underground Comix; view Lambiek Comiclopedia entry here):

 

No. 4: Ted Richards (check out Lambiek Comiclopedia entry here ) and Teresa “Terry” Richards (view Lambiek Comiclopedia entry here):

No. 5: S.F. Comic Book Co – America’s first specialised comic book shop operated by Gary Arlington who was the key figure in the underground comics movement of the 1960s and 1970s. The shop in Mission District at 3339 23rd Street was a focal point for the Bay Area's underground artists:

 

No. 6:  Trina Robbins – one of the few female artists in underground comics when she started, wife of Kim Deitch. She contributed to such publications as East Village Other, Gothic Blimp Works, It Ain't Me, Babe Comix, Swift Comics, Wimmen's Comix, etc.). Later she was the artist co-creator of Vampirella. Check out her website here):

No. 7: Jay Kinney (a member of the original Bijou Funnies crew; check out Lambiek Comiclopedia entry here), Leslie Cabarga (contributor to Real Pulp Comics, Comix Book):

 

No. 8: Joe Schenkman (collaborator on Arcade: The Comics Revue):

No. 9: Art Spiegelman (author of Maus, view Lambiek Comiclopedia entry here), Justin Green (author of the 1972 comic book Binky Brown Meets the Holy Virgin Mary; view Lambiek Comiclopedia entry here),  Shary Flenniken, prominent contributor to National Lampoon, check out her website here) and Bobby London, creator of Dirty Duck, view Lambiek Comiclopedia entry here):

No. 10: Gary Arlington (operator of S.F. Comic Book Co, see No. 5) and Kim Deitch, one of the key figures in underground cartooning, referred to by some as one of the godfathers of American underground comics (view Lambiek Comiclopedia entry here):

No. 11: John Bagley’s Company & Sons – publishers of underground comics:

 

Last but not least, here are two pictures of the building that once was the headquarters for Rip Off Press, publishers of Gilbert Shelton’s Fabulous Furry Freak Brothers, Fat Freddy’s Cat and other famous series. The address is 1250 17th Street in San Francisco. It is not on the map because it is located in the industrial area in a different part of the city. The building is now occupied by a company that sells bookbinding supplies and model making materials: 

ATLANTIC CROSSING - PART ONE

In case anyone was wondering about absence of posts over the last couple of weeks, the reason is that I was away travelling overseas. By coincidence, my travels included two major comics cities of America so I thought I might very well spend some of my free time there doing what people don’t normally do and try to see some of the buildings that used to house major publishers of comic books in the USA. Today Google Street View offers anyone who cares a possibility to see everything online but I thought taking a glance first-hand would be more fun. In an ideal World some smart tour operator might put together a special tour for the niche market of comic book fans. And get a dozen or so nutters a year to sign up…

My first stop was in the fine city of New York that was home to more comic book publishers than any other place in the world. I saw a few places there.

Here is the front entrance and a couple of pictures of 330 West 42nd Street that housed executive offices of Marvel Comics in the very early days of the company from October 1939 until Summer 1942:

Ace Comics (renowned as the publisher of Ace Comics #11 with the first appearance of The Phantom, the first-ever costumed hero that led to the Golden Age of superheroes in comics, and publisher of titles like Baffling Mysteries, Super-Mystery Comics, Web of Mystery, etc., etc.) had their editorial and executive offices at 23 West 47th Street between August 1947 and June 1956. The building sits in the middle of what is now (and what has probably always been) the Diamond District in Midtown a few steps from Times Square: 

Between 1946 and July 1954 the famous Entertaining Comics, commonly known as EC Comics (publisher of Crime Suspenstories, Tales from the Crypt, The Vault of Horror, Weird Fantasy, Mad magazine, etc.), had their editorial and executive offices at 225 Lafayette St. at the intersection with Spring, bordering Little Italy. I remember reading somewhere that the company was on the 7th floor. There is a subway station directly under the building and the posh corner entrance is to a 24-hour pharmacy. Chic interior of the pharmacy makes one think it used to be a lobby of a bank or maybe a small railway station hall. Today the building houses luxury $ 13,000 per month condominiums, some advertisements with photos can be found on the web if you google the address. Here are some pictures of the building that I took during my self-guided “tour”:

 

145 East 32nd Street became the second and permanent New York City home to Warren Publishing (Creepy, Eerie, Vampirella, etc.) when the company relocated from Philadelphia in the sixties:

My next post will include images of some important locations of the underground comix scene in San Francisco during the early seventies. I hope to resume my Shiver and Shake series soon afterwards.

1974 SHIVER & SHAKE ANNUAL

1974 SHIVER AND SHAKE ANNUAL was a thick book of 160 pages priced 70 p. Below is the summary of the contents. Again, black colour is for SHIVER section and blue is for SHAKE; underlined are the features that didn’t appear in the weeklies:

Webster (3 episodes, one in full colour),  Frankie Stein (5 episodes - 2 in colour and 3 b/w); Shiver (in full colour); Creepy Creations feature (2 instalments); Ed (5 episodes); Grimly Feendish (4 episodes, one in full colour); The Hand (2 episodes); Sweeny Toddler (2 episodes); Adrian’s Wall; The Duke’s Spook (2 episodes); Soggy the Sea Monster (2 episodes); Biddy’s Beastly Bloomers; Midnight Tales (adventure, 4 pages); Ye Haunted Lake; Ghouldilocks (2 episodes); Shake (2 episodes, both in colour); Lolly Pop; Miss Chief (3 episodes); The Desert Fox (2 episodes); Nutter (3 episodes), ; Sample Simon (2 episodes); Damsel in Distress; The Scroungers (2 episodes); Though Nutt and Softy Centre (2 episodes); Mirth Shakers feature (2 instalments); Moana Lisa; Comics College (3 episodes, one in full colour); Gal Capone; Seeing Stars feature (Horoscope); The Forest Legion (14 pages); The Fixer (2 episodes); Loopy Locations feature; The Silly Circus; Match of the Year Circus versus Panto Folk; Kids’ Court; Jail Birds; Horrornation Street; Christmas Eve at Scream Inn; The Shiver Givers.

Same as the 1973 Christmas Holiday Special, the Annual was modelled after the weeklies: the cover was split in two and there was a Shake section inside separated from Shiver with blocks of colour pages on both ends. Here is the front page of Shake:

Let’s take a peek inside. Again, all episodes of Frankie Stein were reprints of the original stories illustrated by Ken Reid in WHAM! issues 19, 2o, 22, 23 and 24, all resized from the original 1 ½ pages in WHAM! to 3 pages in the Annual, with the usual consequences (enlarged panels with awkward empty spaces, extended lines, etc.).

The Annual had two Creepy Creations with a Winter theme. In his comment to my previous post about 1973 Special Andy noted that the Christmas Creation that I showed was drawn by Bob Nixon, not Ken Reid. I believe the two in this first Annual were also by Nixon. Here is one. The face is Reid-ish, but otherwise it looks more Nixon than Reid to my eye, what do you think?

In the Christmas episode of Scream Inn Santa charmed all resident creeps so the Innkeeper had to use his cunning to scare Santa off and prevent him from winning a million pounds. Below are two important panels from the set:

Shiver got his own strip for the first time:

I won’t go into details of other regular Shiver and Shake strips from the weeklies because I hope to cover them in their dedicated posts at a later stage.  I will concentrate on those that didn’t appear in the weeklies instead, and this Annual had quite a large number of them. Ed and Midnight Tales were the only ones in the Shiver section. There’s nothing much to say about Ed. Midnight Tales was a mystery horror tale that looks like a reprint but I don’t know where from or who the illustrator was. Here are the first two pages:

Shake section had a lot more of unfamiliar entries. The Forest Legion was probably the most prominent one because it was as many as 14 pages long. It was about a crowd of goody forest animals and their efforts to stop two baddies – a crook called Boss and his assistant Butch, from robbing a loopy rich old Baron who lived in his lone castle on an island in the middle of the lake. Forest Legion later appeared in other Shiver and Shake annuals. I don’t know the artist’s name. Here are two opening pages:

Miss Chief told adventures of a Red Indian girl. The strip wasn’t sensationally original in its concept and a lot of its humour was supposed to come from the ‘pidgin English’ so well familiar to folks who read Little Plum in the Beano (such as this: … ‘Medicine man angry! Him boilum up a storm!’ … or ‘Blackfoot tribe say our Chief got smelly socks! Heap insult!’...).

Seeing Stars, a Horoscope drawn by Reg Parlett, was a nice addition to the package. Another reprint, I believe:

Kids’ Court was a feature about law enforcement in which adults faced justice at the hands of kids. It was interesting in the sense that it was a pilot episode of a strip that became a regular in Whoopee! as of 1976 and continued there for more than three years.

The remaining new features are hardly worth mentioning. Nutter was a poorly drawn strip without speech balloons about an unfortunate toothy kid. The Scroungers was about a family of … scroungers, illustrated by Phil Millar. The title of The Silly Circus also speaks for itself. Here is the whole strip as I find the artwork quite nice, although I am not sure about the artists’ name: