welcome and enjoy!

Hi and welcome to my blog about comics from other people’s childhood! It is dedicated primarily to British humour comics of the 60s and 70s. The reason they are not from my childhood is simply because I didn’t live in the UK back then (nor do I live there now). I knew next to nothing about them until fairly recently but since then I’ve developed a strong liking for the medium and amassed a large collection, including a number of complete or near complete sets. My intention is to use this blog as a channel for sharing my humble knowledge about different titles, favourite characters and creators as I slowly research my collection.

QUICK TIP: this blog is a sequence of posts covering one particular comic at a time. The sequence follows a certain logic, so for maximum results it is recommended that the blog is read from the oldest post up.

Copyright of all images and quotations used here is with their respective owners. Any such copyrighted material is used exclusively for educational purposes and will be removed at first notice. All other text copyright Irmantas P.



Friday, July 10, 2015

LAWSON WOOD CURIOSITY



Lawson Wood (1878 – 1957) was a British artist and illustrator who is probably best remembered for his humorous depictions of a chimpanzee called Gran'pop – a character featured in a series of annuals. His work appears to have been very popular on both sides of the Atlantic and was widely used by advertising agencies, manufacturers of postcards, trading cards, calendars, puzzles and whatnot. I first saw his drawings and distinctive signature on the front covers of early issues of the nursery comic Playhour. Here is the first one with the chimps cover, unsigned:


I was browsing eBay the other day and found something described as Lawson Wood German Porcelain figurine, offered by a seller in Germany. I’ve heard about "The Lawson Woodies” line of wooden toys but not about porcelain figurines. According to the description, it was made ca. 1930. It depicts a sinister penguin and is 30 cms tall.

I am not into this kind of collectibles and have no idea about their value but this example attracted quite a bit of attention and sold for £ 67.00. I wonder if the buyer wanted it because of Lawson Wood connection or for other reasons? Anyway, here are some images courtesy of eBay:





In an unlikely event if you are not familiar with this prolific artist, here are some fine examples of Lawson Wood's Gran’pop work: 











Friday, July 3, 2015

DAFT MARINERS OF CANALS AND THE HIGH SEAS




Nautical antics was one of Ken Reid’s favourite themes. The Queen of the Seas in SMASH! comic is a classic example considered by many to be his best work.



Interestingly, my mate and UK comics collector and researcher extraordinaire Peter Hansen has discovered that Ken’s inspiration for the pompous skipper Enoch Drip and his one-man-crew Bertram Bloop came from the 1964 British comedy film The Bargee by Duncan Wood.



The film is about two boatmen operating a commercial canal-boat. The main character is Hemel Pike (played by Harry H. Corbett) who is quite a bit of a lothario with girlfriends all across the canal network. As such, Hemel wasn’t suitable for a children’s paper, but his cousin Ronnie (played by Ronnie Barker) became the prototype for Ken’s Bertram Bloop:



.. while the character of the inept mariner (played by Eric Sykes) was the inspiration behind Queenie’s skipper:






Ken actually owned a boat and had quite a few comical adventures when sailing the canals. If you take a close look, Enoch Drip often looks like Ken’s self-portrait.


Sunday, June 28, 2015

SIZE MATTERS?



During the long history of British comics the weekly magazines came in a variety of sizes but to the best of my knowledge THE BIG ONE gets the prize for being the biggest of them all at 37 x 55 cms, or 14.57 x 21.64 in, while Nipper, with its early issues measuring just 15 x 21 cms, or 5.9 x 8,27 in, is on the opposite side of the size-scale. 

Both experiments only managed short runs, which proves that size matters only as long as it is not one extreme or the other.

Below is a picture of the two oddities together to illustrate the contrast, followed by one where the pair is shown together with a copy of the familiar old newsprint Beano, to put the sizes into context.


 

Tuesday, June 16, 2015

MORE OF HORROR COMEDY FROM DCT COMICS!



Not only were DC Thomson never big on comedy horror, they also rarely offered cut-outs or pull outs. However, two consecutive issues in 1976 (Nos. 1802 and 1803) did have cut outs, and not just some ordinary cut outs but monster-themed ones!



The 4-weeks’ competition began in issue 1800 dated 22nd May, 1976. At first the challenge was to dress up Korky but then they changed the theme for some reason and offered readers a possibility to assemble some funny monsters.

All Images 2015 © DC Thomson, Ltd.  All rights reserved.