A LOOK AT COR!! STRIPS: KID CHAMELEON, PART THREE

Kid Chameleon beats a Gang of Child Kidnappers (13 weeks from 3rd July, 1971 until 25th September, 1971, issue Nos. 57 – 69)

By now Kid Chameleon has reached the outskirts of a big industrial town in East Africa. He tries to seek shelter from a dust storm and ends up on board a cargo airplane. Kid resists the pilots’ efforts to seize the stowaway. In the course of the fight the boy tumbles on the instruments panel and smashes half of it to pieces. The plane crash-lands in Egypt and Kid loses his pursuers by climbing over a wall of a posh oriental residence. He meets Musti Fatah, owner of the house. Upon hearing that the intruder is wanted by authorities for running off after the plane crash, Musti Fatah realises that Kid’s presence endangers his own plans. To prevent his house from being searched, the wealthy merchant decides to hand Kid over to the authorities and throws him into his dungeon. There Kid finds himself in the company of an Arab boy who is held captive. The boy’s name is Ali Hassan, he is son of a wealthy Bedouin Sheik. Ali tells Kid that Musti Fatah plans to take him across the desert to Cairo and demand a high ransom. Fatah overhears them talking and realises that Kid now knows the truth and has to be disposed of as soon as they reach the desert. The thugs roll the boys up in carpets and load them onto camels. The lizard boy manages to escape and follows the caravan at safe distance in order to try and rescue Ali. He suffers an accident and is picked up by some Bedouin camel riders led by Sheikh Hassan, father of Ali. Kid tells him about the trouble that his son is in and the Bedouins ride towards the oasis of El Kabir to look for the snivelling snake-eyed merchant Fatah, unaware that he and his men had dug a deadly trap for any unwanted pursuers.  A fight breaks out. Fatah escapes carrying Ali away with him:

From COR!! issue dated 11th September, 1971 (No. 67)

The Sheikh is prepared to yield to the black-hearted merchant’s demands for a ransom of two million piasters for Ali’s safe return but Kid Chameleon thinks of a clever plan and finally foils the kidnapper’s evil plot assisted by his reptilian friends. The Sheikh reunites with his son and Bedouins capture the merchant who will now meet the justice that he deserves. Kid continues his long and wearying quest for the man who shot his parents.

Kid Chameleon helps American Oilmen Deal with Arab Terrorist Rebels (7 weeks from 2nd October, 1971 until 13th November, 1971, issue Nos. 70 - 76)

Kid is now in Egypt, walking along an oil pipeline that runs along the river Nile. Suddenly he is seized by some jeep-riding angry American “lily-skins”. The Americans tell him that for months now a bunch of rebels has been sabotaging their rigs and pipelines and they believe that Kid is one of them. Kid realises he is being blamed wrongly. The lizard boy uses his talents and makes a rough escape. As the oilmen drive off, their jeep gets bombed. Kid rushes to the scene and sees two men with guns who are going to finish the Americans off. Kid intervenes and the would-be assassins run for their lives. An ambulance comes from the oil rig. The two oilmen accuse Kid of blowing their jeep and Kid can’t escape this time. They take him to their camp and lock him up in the paint store. A mysterious figure with a stocking mask unlocks his door and starts shooting at him with a catapult. A messy fight breaks out and Kid soon finds out that his attacker is a red-haired girl by the name of Mary-Lou McGraw who has come to get even with him for what he did to her Dad. Kid escapes from the store and takes the girl with him so that she can’t raise alarm until he is far away. Suddenly he sees the same two men who tried to kill the girl’s father breaking into the camp. Kid is going to capture them by climbing onto a derrick and dropping on them with force but it turns out that the derrick is the Arabs’ target and they blow it up:

From COR!! issue dated 30th October, 1971 (No. 74)

Kid’s fall is broken by water in the fractured tank. The girl sees the villainous Arabs as well and she now believes Kid's innocence. But her Dad and the other drillers who are trapped in a bunkhouse must be saved. Kid calls his lizard friends for help; they dig a tunnel under the flames and Kid wiggles into the bunkhouse where the situation is becoming desperate. The men crawl to safety through the tunnel. Mary-Lou tells them about Kid and they realise he had nothing to do with the rebels. Kid is determined to bring the terrorists to justice. He picks up the villains’ trail and soon catches up with them. The Arabs are driving to Alexandria to get some sleep. Camouflaged, Kid uses a signpost to pin the two rebels down.

Kid Chameleon’s First Encounter with the Man Who Murdered his Parents (6 weeks from 20th November, 1971 until 25th December, 1971, issue Nos. 77 – 82)

Kid is now in Alexandria, Egypt. He sees two men fighting and Kid scares the attacker off. The robbed man tells Kid that no one knows the thief’s identity but every time he strikes he leaves a strange sign as his trademark of crime. The sign is exactly like the badge of Kid’s parents’ killer. The scent leads Kid to the port where a big passenger liner is about to depart and he knows that the wicked man is on board. Kid sneaks into the liner. He realises it won’t be so easy to spot the villain in the crowd of passengers. He decides to try the dining saloon and thinks chandelier is the best vantage point. Kid burns himself on hot light bulbs, crashes down and causes a mess: 

From COR!! issue dated 4th December, 1971 (No. 79)

Waiters grab Kid and take him to the captain who never did like stowaways very much. Captain orders to lock Kid up until they dock in Italy. Upon arrival Italian authorities are ready to take him ashore. Suddenly Kid sees the skull and dagger emblem on the bag of one of the disembarking passengers and realises that at long last he is staring into the face of the man who had shot his parents. Kid escapes from his guards and then the dock area. Camouflaged, he runs through the streets of the city where Christmas activities are taking place but the man disappears in the crowd and the quest has to begin all over again.

The next and final post dedicated to Kid Chameleon will cover the last three stories of the saga: Kid Chameleon and the Mystery of the Old Gondola; Kid Chameleon Enters for the European Cross-Country Race and Kid Chameleon Brings the Murderer to Justice, plus two stories from the annuals.

A LOOK AT COR!! STRIPS: KID CHAMELEON, PART TWO

Kid Chameleon and the Treasure of Ghouli Cavern (7 weeks from 9th January, 1971 until 27th February, 1971, issue Nos. 32 – 39)

Kid Chameleon is still in East Africa. Little lad Stevie Parker is captured by two hard-faced brothers Len and Sammy Bolton. They board their boat and sail off without noticing that Kid has sneaked on board in hope he can help Stevie later. A mile out at sea a big ship rides at anchor. Kid tries to sneak into the ship but is spotted and caught by a hideous tattooed Indian with Mohican hairstyle by the name of Anvil Ironhead, who is an ex-circus strongman hired by the two thugs as a general helper and bodyguard. Kid is dumped in the hold with young Parker. The evil men want to know where Stevie has hidden the chart of Ghouli Cavern. They make Steve talk by using a sinister Skull-Jacket of Instant Truth. Having got hold of the map, the thugs dispose of the boys by throwing them both tied up into the deepest wastes of watery hunting grounds in the sea... 

From COR!! issue dated 6th February, 1971 (No. 36)

Kid uses his talents to save both of them. When they are in the safety of the shore, Stevie tells Kid that his late father was a big game hunter in Africa and his legacy to his son was a fortune in ivory tusks, hidden secretly in Ghouli Cavern. Now that the Boltons have the map, they know the exact location of the treasure and are going to steal it. Kid decides they must be stopped but 3 miles away the thugs have already blown away the secret  doors inside the cavern and the tusks are as good as theirs. They start running their dingy back and forth to transport the tusks to the schooner. Giant marine turtles carry Kid unseen to the Ghouli Cavern. He sinks the dingy and challenges the Boltons. A blast of dynamite blows the lizard suit clean off Kid and he can’t camouflage himself any more. His life is in serious danger but Kid summons an army of sand lizards that bind the thugs tight with weeds, vines and creepers. Kid tells Stevie to call police and tell the story. Kid’s quest continues.

Kid Chameleon beats Saphire Crooks (9 weeks from 6th March, 1971 until 1st May, 1971, issue Nos. 40 – 48)

Traveling through a game reserve in Kenya, Kid falls asleep on a deflated air balloon. Upon waking up he finds out that the balloon is being inflated. Soon it takes off with Kid trapped on top. Game-warden Ralph Franklin and his daughter Lindy are traveling to investigate strange goings-on at the Cetswayo Water-hole where many animals are falling sick. Kid tries crawling down the side to reach the basket and rips the material with his sharp finger nails. The balloon crashes and the three of them continue on foot. They arrive at the water hole and find dozens of sick animals. Ralph carries out some tests on the animals and they seem to be suffering from water poisoning. A friendly lizard tells Kid that a strange object is often seen on shores of the lake at midnight. That night Kid spies a strange machine in the shape of a flying saucer. Camouflaged, he crawls on the glass roof and sees two men inside. The machine is about to submerge and Kid’s hand is stuck. Left with no other choice Kid bangs on the glass to attract the attention of the men inside the submarine. The men capture Kid and take him to a building at the bottom of the lake. Inside Kid meets Jim Latchett, the boss. He and his cronies are after sapphires down there. They’ve been breaking up the lake-bed rock with special acid and collecting loads of the precious stone in the submarine. Kid realises that the acid is poisoning water and making animals sick and threatens to tell Franklin about their deeds. Jim Latchett pulls out his gun but the wonder-boy sneaks though the emergency airlock and escapes from the building into the surrounding waters. When Kid gets to the shore, he tells everything to Ralph Franklin and his daughter. The amphibious submarine suddenly emerges from the lake and tries to make a getaway but Kid has a plan how to catch wicked Latchett. He sews up the hole in the balloon and they soar away into the cloudless sky... 

From COR!! dated 24th April, 1971 (No. 47). Note Joe Colquhoun's initials
in the bottom right corner of the last panel

After an action-packed pursuit Kid smashes the glass top of Latchett’s amphibia and it crashes into a tree. The crooks are taken away by the police. Kid sets off alone once again into the unknown in search of the man who shot his parents.

Escaped Convict gets Kid Chameleon into Trouble (8 weeks from 8th May, 1971 until 26th June, 1971, issue Nos. 49 – 56)

Through a series of unfortunate circumstances, Kid Chameleon finds himself on board a train in the company of a runaway convict Slugger Sankey. The criminal hijacks the train and runs it into a tanker train with thousands of gallons of petrol standing in the station of a town. Kid and Sankey jump out as the two trains collide and explode. News come through that Kid and Sankey are responsible for hijacking the train and causing the accident. The police move in and cordon off the whole area. Sankey makes off but Kid ends up in a prison cell... 

From COR!! issue dated 29th May, 1971 (No. 52)

It takes him some effort to escape. Kid realises that to prove himself innocent he has to find Sankey and make him confess. He finds the escaped convict choosing clothes in a store so that he can get out of his prison gear and steal a car to get clean away from the town. Sankey grabs the boy and locks him up in the restaurant kitchen cold store so that he freezes to death. Kid wiggles out of the freezer and races back up to the street where he sees Sankey about to steal a car. Kid grabs at the wheel as the car gathers speed and makes it crash. The car smashes through a bridge parapet and hurtles down towards a circus big-top below. Kid knocks Sankey out with a heavy bass drum mallet, forces the thug to write a confession and leaves him tied up to the chair near the wrecked car. Kid’s name is cleared and he is off on his way again.

In the next post I will be taking a look at the following action-packed adventures of the reptile boy:  Kid Chameleon beats a Gang of Child Kidnappers; Kid Chameleon helps American Oilmen Deal with Arab Terrorist Rebels and Kid Chameleon’s First Encounter with the Man Who Murdered his Parents…

A LOOK AT COR!! STRIPS: KID CHAMELEON, PART ONE

Kid Chameleon was a beautifully written and lavishly presented tale that must have gripped imaginations of many COR!! readers. The story was about an English wonder-boy who survived a plane crash years ago and was reared by reptiles in the Kalahari Desert in South Africa.  After the plane crash chameleon lizards attended the infant with their tongues and gave him a protective skin. As he grew, all reptiles became his friends. He could talk to them in their strange tongue-clicking language and the skin-tight lizard suit of scales enabled him to change colour at will. Kid Chameleon’s quest in life was to find the man who had shot his parents and bring him to justice.

Written by Scott Goodall and illustrated by Joe Colquhoun, Kid Chameleon was launched in the first issue of COR!! and occupied the centerspread for 98 weeks until 15th April, 1972  (issue No. 98). The series consisted of an introductory episode and 12 different serialized adventures, each between 5 and 13 weeks long. Apart from the opening episode, only two of the stories had to do with Kid Chameleon’s “main” mission. The other ten told random adventures of Kid during his clueless but determined travels in Africa and Europe. Just as in the majority of other serialized adventure strips, weekly episodes ended with cliffhangers but in Kid Chameleon they were weaved seamlessly into the storyline and didn’t appear to be there for their own sake (save for the odd one or two).

Kid Chameleon was a great addition to COR!! package. Unfortunately, newsprint often failed to convey the full beauty of Joe Colquhoun’s artwork: quite frequently colours were off-register and not as vivid as the artist had intended them to be.

Let us take a closer look at the series. For the sake of reference and convenience, I have taken the liberty of inventing names for the individual stories that ran consecutively, with the ending of one story smoothly leading to the beginning of a new adventure.  

Intro: Kid’s Quest Begins

Here is the complete intro to the series from the first issue of COR!! I may be wrong but there is something about this opening episode that makes me doubt whether it was really by Joe Colquhoun:

Kid Chameleon and the Valley of Vultures (6 weeks from 13th June, 1970 until 18th July, 1970, issue Nos. 2 – 7)

The scene of the first adventure is set in the South African Kalahari desert. Kid Chameleon is captured by two game poachers who have come to the desert to kill rare antelopes. They can’t afford to turn him loose for fear that he will tell people about their wicked intentions so they tell their native trackers to dump the boy for keeps in the dreaded Valley of Vultures. Kid uses his colour disguise and ability to speak reptile language to save himself from hungry cheetahs and escapes from the valley. Camouflaged in a swarm of migrating butterflies, the lizard boy sets antelopes free while the poachers’ vehicles crash and explode.

From COR!! issue dated 11th July, 1970 (No. 6)

Kid Chameleon and the Arrow of a Thousand Diamonds (11 weeks from 25th July, 1970 until 3rd October, 1970, issue Nos. 8 – 18)

Kid arrives in a remote South African town where he is spotted and captured by Johnny Bull’s-Eye. The evil man demands instant obedience from Kid because he wants to exploit the boy’s extraordinary talents to get hold of the arrow of a thousand diamonds. The quest for the mysterious artefact involves crossing a soggy waste-land swarming with razor-fanged fish, climbing a pinnacle guarded by a hook-beaked hunter and recovering a strange arrow-shaped object. Having overcome all the dangers, Kid delivers it to Johnny Bull’s-Eye. The lizard boy has now served his purpose and Johnny Bull’s-Eye tries to get rid of him. Saved by two crocodiles, Kid sets out on a mission of revenge and unveiling of Johnny’s mystery. He retraces Johnny’s footsteps to a deserted town of Deathbowl Creek. There Kid frees an old hermit Abe Bannermann whom Johnny has tied up before leaving to unearth the arrow of a thousand diamonds and they both rush to stop Johnny. Johnny uses the arrow-shaped object to open the secret door of Deathbowl Creek and retrieves the diamond arrow but is confronted by Kid and Abe. Johnny Bull’s Eye escapes into an abandoned mine...

From COR!! issue dated 26th September, 1970 (No. 17)

Kid and the old hermit set off in pursuit once again. Abe Bannermann tells Kid the story of the diamond arrow. The precious artefact is Abe’s father’s legacy to his son that the old man hid in a safe above the mine to prevent its theft. The object that Kid retrieved from the pinnacle in the marshes was the key to the safe. Johnny Bull’s-Eye stole the only map giving the exact location where the key was hidden but couldn’t get to the pinnacle until he found Kid Chameleon whom he could send to cross the deadly swamp for him. In the meantime, Johnny tries to blow the mine up and escape through the ventilation shaft but Kid foils his evil plot. The arrow is back with its rightful owner and Johnny will face a court of law. Kid’s own quest continues.

Kid Chameleon and the Ivory Skull of Uhulu (13 weeks from 10th October, 1970 until 2nd January, 1971, issue Nos. 19 – 31)

The scene of this next tale is set in East Africa. Kid accidentally discovers a secret laboratory of an evil scientist Sunset Kilpenny. Helped by his native assistant Zarbampa, the old man performs experiments on wild animals by immersing them in a strange muddy liquid that makes them become three times as big. Kid threatens to foil Kilpenny’s evil plot, so the scientist decides to act quick – he uses the liquid on a huge ape named Goliath that obeys the scientist’s every command. He orders the hairy monster to attack a big house in the clearing of a vast coffee plantation inhabited by plantation owner Sam Crouch and his son Don. Kid comes to their rescue. The man urges Kid to stop the gorilla because Kilpenny has ordered it to steal the ivory skull of Uhulu and he must not have it. Kid tries but to no avail. The brute finds the safe, cracks it open and Sunset Kilpenny gets hold of the skull. After twenty years the sacred dance of the Fiery Dawn shall again be performed!  Sam Crouch and Danny get their rifles and the three of them set off to catch Kilpenny before it’s too late. On their way to the shrine, the plantation owner tells Kid that Kilpenny owned the land next to his when he was a young man and used it as a transit camp for stolen wild game and animal experiments. Kilpenny then became chief of the warlike Uhulu tribe because he had found an ivory skull and Uhulu legend said that whoever possessed it was their leader until death. Then one night Crouch managed to steal the skull and Uhulus lost faith in Kilpenny. Now with the help of the giant gorilla he has managed to steal the skull back and is about to be reinstated as Uhulu chief. The three of them are ambushed by Goliath but still manage to make their way to Uhulu camp. Once there, they see that the sacred ritual has already begun...

From Corr issue dated 19th December, 1970 (No. 29)

Kid uses his talents and strips Kilpenny of his powers but the possessed scientist is reluctant to give up. He gets everyone trapped in a cave-in and retreats to his laboratory. Kid follows Kilpenny to his lab where the scientist prepares to turn a lion and a leopard into giants and bring the Uhulu nation under his command. Kid manages to overturn the tank and spill the potion to waste. In a frenzy of rage Kilpenny scoops up a broken spear and hurdles it at the giant gorilla. Furious at the sudden pain, Goliath flattens the entire laboratory. Kid gets a shrinking antidote and squirts it at the ape that falls down senseless and shrinks to its normal size. Kilpenny is defeated and his dreams of glory are ended because jail awaits him. Kid rushes to free the people trapped in the cave-in so that he can move on to search for the man who shot his parents.

The next post will cover three more exciting stories: Kid Chameleon and the Treasure of Ghouli Cavern; Kid Chameleon beats Saphire Crooks and Escaped Convict gets Kid Chameleon into Trouble, be sure to come back and check them out :)

A LOOK AT COR!! STRIPS: STONEAGE BRIT

Stoneage Brit Ancient Nit was a short-lived series in the vein of the Flintstones telling adventures of a little pre-historic kid. Weekly antics involved mammoths, dinosaurs, etc. Stoneage Brit had an enemy named Ug who was an ape-like club-wielding brute.  The feature was quite similar to Glugg - a strip that appeared in WHAM! in the 60s. One of the things that Stoneage Brit had in common with Glugg was his turn for innovation and invention

From COR!! dated 15th August, 1970 (No. 11)

The artwork was rather crude – perhaps appropriately for a strip about pre-historic times.  Stoneage Brit Ancient Nit lasted until 7th November, 1970 (issue No. 23) and missed a couple of weeks towards the end of its modest run (it did not appear on 26th September, 1970 and 10th October, 1970 (issue Nos. 17 and 19)). It was hardly missed by many when it disappeared from the pages of COR!!

Thanks to Niblet who referred me to the appropriate post on another blog (see comments below), I can now add that the illustrator was Tony Goffe.

From COR!! dated 5th September, 1970 (No. 14)

And now I’ll take a deep breath before the next batch of three or four posts that I plan to devote to one of the most exciting COR!! strips - Kid Chameleon…

A LOOK AT COR!! STRIPS: TRICKY DICKY

Tricky Dicky (not to be confused with the character in TOPPER of the late 70s) was a strip about a boy who could get out of anything. “When it comes to dodging, or dallying, this kid’s in a class of his own” – said the caption above the first episode in COR!! No. 1. Although the idea around which the character was developed wasn’t novel at all, readers probably found Dicky’s simple weekly tricks and dodges amusing: the strip managed a lengthy run of more than three years, ending on 29th September, 1973 (issue 174). 

From COR!! issues dated 3rd June, 1972 and 10th June, 1972 (Nos. 105 and 106)

Comparison of the early and the later episodes reveals a bad case of “reverse aging” of the main character – in the early episodes he looked like a boy in his early teens and got younger instead of older in the course of time. The artist was Cyril Price and his style also changed considerably during the run. Check out an early episode from issue No. 3 and the last one of the series side by side:

A LOOK AT COR!! STRIPS: THE ROBOT MAKER

The Robot Maker. A beautifully illustrated but short-lived feature.  Robbie McHinery’s Dad was an inventor whose inventions normally didn’t work but one day he invented a machine capable of replicating human beings by building identical robots. Drawn by Frank McDiarmid in his Ken Reid-imitation style that he had used in the mid-60s on Big Head and Thick Head in THE DANDY. The feature ran for 20 weeks from the first issue until 17th October, 1970 (No. 20). The Robot Maker did not appear on 26th September, 1970 (issue 17).

From COR!! dated 1st August, 1970 (No. 9)

From COR!! dated 22nd August, 1970 (No. 12)

A LOOK AT COR!! STRIPS: IVOR LOTT AND TONY BROKE

Judging by the length of the run, Ivor Lott and Tony Broke was easily the most successful strip that originated in COR!! Not only did it survive COR’s!! merger with BUSTER but also continued there for many years to come and spawned a bunch of imitators in other IPC comics.

Early episodes from COR!! issues dated 2nd June, 1970
and 21st November, 1970 ( Nos. 2 and 25)

The series exploited the simple theme of class warfare between the haves and the have-nots, the former represented by Ivor Lott and the latter by Tony Broke. An offspring of wealthy parents, Ivor Lott was a spoilt brat who lived in luxury, treated his butler and servants like a slave driver and looked down upon other kids, Tony Broke in particular. Tony was a poor kid, often referred to as Riff Raff by Ivor. Mean rotter that he was, Ivor Lott usually came off worst in the end. His megalomanic ways often resulted in destruction of his Father’s property – mansion (Lott Hall), car, helicopter, plane, motorboat, etc. The punishment at the hands of Pater Lott was merciless and Ivor often got whacked in every imaginable way. A good deal of whacking also came from Ivor’s teacher. Together with Whacky and Patsy (of The Teacher’s Pet), he was one of the characters who suffered the most in COR!! – and deserved every single moment of it. Speaking of Pater Lott, he often sympathised with Tony who sometimes malevolently lent a hand in Ivor’s punishment.

From COR!! issue dated 24 April, 1971 (No. 47)

The original illustrator was Reg Parlett. The feature (as well as Reg Parlett’s other work for COR!! and other comics in the end of the 60s onward) was a product of his adapting to the modern style of the 70s. In his interview for the Winter 1979 edition of GOLDEN FUN Reg Parlett said he had no trouble adapting, it had happened fairly naturally over a period of time.  The big change for him was that he no longer did his own lettering which he wasn’t particularly keen on. He also said he had probably been doing more actual artwork in the 1970s then he had ever before: in the old days he did everything himself – script, art, lettering, everything. In the 70s he was given scripts by IPC and had more time to devote purely to drawing then.

From COR!! dated 14th August, 1971 (No. 63).
At the time of writing page one of the episode is available
on eBay at the Buy-it-Now price of £39.99

Ivor Lott and Tony Broke started off as a one-pager in the premiere issue of COR!!  In response to a very positive reader feedback, a few months into the run of COR!! the Editor began dropping hints about his intentions to promote the feature to two full pages. Starting from 20th March, 1971 (No. 42) he made good on his promises and the strip was given 1 ½ pages, then two full pages starting from 25th December, 1971 (No.  82). A further promotion took effect from the issue dated 22nd April, 1972 (No. 99) when the strip was moved to the centre pages and became a three-colour affair. Robert Nixon began drawing the odd weekly episode at about then.  Starting from 30th December, 1972 (No. 135) Reg Parlett handed over his illustrator’s duties permanently to Bob Nixon who remained in charge of the strip until COR!! folded (and for some time after merger with Buster). Terry Bave and Mike Lacey also contributed the odd episode in COR!!

From COR!! dated 1st April, 1972 (No. 96), still illustrated by Reg Parlett

Ivor Lott and Tony Broke made three front page appearances in full colour in COR!! issues dated 5th May 1973, 2nd June 1973 and 11th August 1973 (Nos. 153, 157 and 167). In his book The Comic Art of Reg Parlett Alan Clark writes that the characters were so popular that at the time of writing the book in the 80s there had been talk of a Christmas Annual devoted exclusively to Ivor and Tony. Apparently, this didn’t go beyond talk but the two favourite characters were cover stars in every single COR!! Annual from 1977 until 1986 and COR!! Holiday/Summer Special from 1976 until 1983.

An episode by Robert Nixon from
COR!! issue dated 14th July, 1973 (No. 163)

From COR!! issue dated 20th October, 1973  (No. 177)