A LOOK AT MONSTER FUN FEATURES – BADTIME BEDTIME BOOKS – Part THREE

In my first blogpost on Badtime Bedtime Books I suggested that the BBBs can be classified into three periods –the Leo Baxendale period, the ‘grey’ period and the Mike Brown period. 

I’ve already dealt with the work of Leo Baxendale and made a few inroads into the second period because the periods don’t have clear-cut time lines and occasionally overlap, e.g. during the LB period Sherlock Bones in MFC No. 15 was drawn by Tom Paterson, while Ghoul Dilocks and the Three Scares in MFC No. 16 and Dick Twerpin in MFC No. 24 may have very well been the work of Bob Dewar. See the comments to my previous post.

The ‘grey’ period was the time when, trying to cope with Leo Baxendale’s departure from comics, Bob Paynter experimented with other artists. Mr. Baxendale’s last BBB (William the Conk) was in MFC No. 28 (20th December, 1975) so theoretically, the beginning of the ‘grey’ period coincided with the start of the New Year. In his book A VERY FUNNY BUSINESS Mr. Baxendale recalled how Bob Paynter complained to him that other artists were reluctant to take the job because of the amount of work the BBBs involved.

24) The first BBB of 1976 was Dick Twittington by Terry Bave. It appeared in the first issue of the year (MFC No. 30, 3rd January, 1976):

25) The Ghoul and the Pussycat in MFC No. 32 (17th January, 1976) was by Leslie Harding:

26) Gong of Kong in MFC No. 34 (31st January, 1976) looks like the work of Mike Brown but initials ‘RG’ in the last panel suggest differently. Any ideas as to who may have drawn this one? Perhaps the whole story was illustrated by Mike but someone else was asked to draw the last frame and sneaked in the initials? 

MFC issue No. 36 (14th February, 1976) had a BBB pull-out poster, presumably from the hand of Leo Baxendale. You can see the image in the first post of the series HERE.

27) Half-A-Dollar Boy in MFC No. 37 (21st February, 1976) was another quick job by Leslie Harding:

28) Doctor Poo in MFC No. 39 (6th March, 1976). This one has no signature and/or initials, and my two candidates for art credits are Mike Brown and Tom Paterson. I think it looks more like Mike’s work:

From this point all but two of the BBBs were by Mike Brown as confirmed by his signature/initials or the general look and feel of the artwork. Come back soon for the gallery of covers.

All Images 2014 © Egmont UK Ltd.  All rights reserved. Used with permission.

WHO DO YOU THINK DREW THESE BADTIME BEDTIME BOOKS?

Further to the previous post covering the Leo Baxendale period of Badtime Bedtime Books in MFC weeklies, here are all three BBBs from 1975 whose authorship raises some doubts. Perhaps together we can work it out who drew them…

Sherlock Bones (MFC No. 15, 20th September, 1975). Not mentioned in A VERY FUNNY BUSINESS and looks like it may have been drawn by someone else. It may be by Tom Paterson (the general feel of the artwork looks like Tom’s), but it may also be by Peter Davidson (the daft-looking dog in the foreground was his trademark). It may also very well be by Mr. Baxendale: for example, Sherlock’s face looks a lot like the Headmaster’s from the first BBB (see both characters side-by-side at the top of the post). What do you think?

Ghoul Dilocks and the Three Scares (MFC No. 16, 27th September, 1975) – not mentioned in A VERY FUNNY BUSINESS. The story itself is very “Baxendale” but there is something suspicious about the artwork.  Two “clues” which suggest it may be Mr. Baxendale’s work are bits of hand-written text in two panels and Don Martin noses of some of the characters (Leo imitated Don Martin in a few of his drawings in the first Willy the Kid book):

Dick Twerpin (MFC No. 24, 22nd November, 1975). In his comment to the previous post Lew suggested it may have been drawn by Bob Dewar. Was Bob Dewar already in the comics industry at that time (summer of 1975)? If that’s indeed Bob Dewar’s work, then it is quite a good imitation of Leo’s style and the editor would have probably given him more BBBs to draw but for some reason he continued experimenting with others until Mike Brown became his final choice. Any thoughts on this?

All Images 2014 © Egmont UK Ltd.  All rights reserved. Used with permission.

A LOOK AT MONSTER FUN FEATURES – BADTIME BEDTIME BOOKS – Part TWO

They used to prepare comics well before their cover date and Mr. Baxendale submitted as many as seven of the Badtime Bedtime Books before the release of the 1st issue of Monster FUN Comic. Here is the gallery of covers and bits of information which can be found in Mr. Baxendale’s book A VERY FUNNY BUSINESS:

1) Jack The Nipper – MFC No. 1, 14th June, 1975. After Bob Paynter okayed the script, he asked Leo to draw up a pencil rough the same size as printed comic “to show to the top brass”. Five days later he got back to tell Mr. Baxendale that they were starting printing, and asked him to ink in the rough layout. Leo commented that inking in print-size jobs would be a good recipe for going blind if done regularly, but he agreed to do it for just one time.

2) Robinson Gruesome – MFC No. 2, no date on cover. Having finished this one, Mr. Baxendale went to London on 8th April, 1975 and persuaded Bob Paynter to cut Sweeny Toddler to a half page.

3) Punch and Chewday – MFC No. 3, no date on cover. Mr. Baxendale finished this one on 16th April, 1975 and was very satisfied with the job. The Editor was delighted as well: Mr. Baxendale remembers him saying “You’ve thrown in everything but the kitchen sink”.

4) Dr. Jackal and Dr. Snide – MFC No. 4, no date on cover. Having completed the BBB, Mr. Baxendale went to London on 29th April and told IPC editors he would no longer be able to draw Snooper for BUSTER and Sweeny Toddler for WHOOPEE!

5) Red Riding Hood – MFC No. 5, no date on cover. It took 10 days to complete – one day for the script and 9 days for the artwork. Mr. Baxendale thought the book was as good as any of his best Bash Street sets – and the humour had an extra loony tilt to it. Here it is in full:

No. 6 Jack and the Beans In Tomato Sauce Stalk (MFC No. 6, 19th July, 1975) and No. 7 Little Boy Glue (MFC No. 7, 26th July, 1975) took 9 ¼ days each to complete:

The first issue of Monster FUN Comic came out in the first week of June, 1975. Mr. Baxendale spent an average of 10 days on each book and he soon realised he was beginning to run out of time. As a result, BBB No. 8 (Trouser Island) was his second one after No. 1 drawn in actual printing size. The centre pages of MFC No. 8 were given to Kid Kong poster, so the eighth BBB can be found in MFC No. 9 (9th August, 1975):

9) Davey Jones (MFC No. 10, 16 August, 1975). Having finished this one, on 26th June, 1975 Mr. Baxendale travelled to London once again to tell Bob Paynter he no longer had the time to write scripts for BBBs and left with the Editor’s promise to put his writers on the job.

10) I Spy with my Little Guy appeared in MFC No. 11 (23rd August, 1975) but you won’t find it mentioned in A VERY FUNNY BUSINESS. The book is somewhat peculiar – it looks like Leo Baxendale’s artwork but something just isn’t right. The name of the main character – Mervyn – rang a bell: Mervyn’s Monsters was a strip by Leo Baxendale which ran in Buster in the late 60s, so I though what if the two things were connected? I did some detective work and indeed – I Spy with my Little Guy turned out to be a serious cut-and-stitch exercise on behalf of IPC in-house “surgeons” who pieced it together from individual panels of the four last episodes of Mervyn’s Monsters (BUSTER 17th August – 7th September, 1968). The last panel of the BBB was a quickie by Artie Jackson, I believe. Here are all 8 pages from BUSTER. If you have the BBB, you can have some fun comparing the two stories:

Mr. Baxendale refers to BBBs No. 11 - Little Miss Stuffit (MFC No. 12, 30th August, 1975), and 12 - Oliver Twister (MFC No. 14, 13th September, 1975) as “quickies”, which he both wrote and illustrated.

13) Sherlock Bones (MFC No. 15, 20th September, 1975). This one is not mentioned in A VERY FUNNY BUSINESS and looks like it has been drawn by someone else. My “theory” is that it was the work of the young Tom Paterson:

14) Ghoul Dilocks and the Three Scares (MFC No. 16, 27th September, 1975) – not mentioned in A VERY FUNNY BUSINESS and I am unsure if it was drawn by Mr. Baxendale. The two “clues” which suggest it may be his work are bits of hand-written text in two panels and Don Martin noses of some of the characters (Leo imitated Don Martin in a few of his drawings in the first Willy the Kid book). The story itself is also very “Baxendale” but the artwork looks rushed.

15) Marzipan and the Japes (Mr. Baxendale refers to it as Marzipan of the Apes in his book) (MFC No. 17, 4th October, 1975). This one took Mr. Baxendale 11 days to write and draw. It is one of the vintage sets that he intended to draw from time to time in order “not to lose it”, and the last one that he wrote himself. This was the time when the amount of incoming fan mail confirmed Mr. Baxendale’s gut feeling that he’d hit the jackpot.

16) Star Truck – (MFC No. 18, 11th October, 1975) – signed by Leo Baxendale. Not mentioned in A VERY FUNNY BUSINESS. Like all the subsequent ones, it was drawn to the script of an IPC writer. Having completed it, Leo paid yet another visit to Bob Paynter to break the bad news that he no longer wanted to carry on drawing a BBB every week (let us pretend that he had not already missed four or five weeks by then). He recalls how the news plunged Bob into deep gloom…

The next five books – No. 17 Moby Duck (MFC No 19, 18th October, 1975), No. 18 Little Bo Creep (MFC No. 21, 1st November, 1975), No. 19 King Arthur and the Nightmares of the Round Table (MFC No. 23, 15th November, 1975), No. 20 Dick Twerpin (MFC No. 24, 22nd November, 1975) and No. 21 The Underwater World of Jacques Custard (MFC No. 25, 29th November, 1975) are unsigned but all look like Leo’s work. They are not mentioned in A VERY FUNNY BUSINESS but the book says that throughout August and September, 1975 he drew BBBs in a loosely drawn ‘naïve’ style. He spent a lot of time resting, and watching the Test Match.

22) Babes in the Woad (MFC No. 26, 6th December, 1975) – the last one mentioned in A VERY FUNNY BUSINESS that tells us it took 5 days to finish. Mr. Baxendale described the IPC script as “chaotic” which he rewrote completely, and thought that the finished feature was absolutely barmy.

23) William the Conk (MFC No. 28, 20th December, 1975) - Not mentioned in A VERY FUNNY BUSINESS, unsigned and in all likelihood the last one by Leo before he left comics in the end of October, 1975.

Humpty Dumpty Special Story (a two-pager in MFC No. 20 dated 25th October, 1975) and Badtime Bedtime Book pull-out poster in MFC No. 36 dated 14th February, 1976 were also drawn by Mr. Baxendale, I believe. This rounds up the account of the Leo Baxendale period of Badtime Bedtime Books in MONSTER FUN COMIC weeklies.

All Images 2014 © Egmont UK Ltd.  All rights reserved. Used with permission.