A LOOK AT MONSTER FUN STRIPS: S.O.S. (SAVE OUR STAN)

The saga of Stan Stilton began in MFC issue No. 20. Agent Stan Stilton was an employee of D.R.A.I.N. – Department for Removal of All Internal Nuisances. In the opening episode the daft agent believes he has captured a criminal mastermind, only to find out that his prisoner is in fact the Number One of D.R.A.I.N. Sick and tired of Stilton who is an idiot and a constant source of trouble, Chief decides to get rid of him by sending him on a mission to capture Gruesome Gannet Gunge and his gang of grisly midgets. The elusive World Enemy No. 1 strikes first by abducting Stilton and taking him to his gang’s secret hideout in Gungitrania. The abduction occurs in the middle of a ‘job interview’ for the position of Stilton’s assistant. Moments before Gannet Gunge drives Stan Stilton away in his Gungemobile, the trouble-prone agent hires a young assistant by the name of Charlie Cheddar who proves to be somewhat smarter and luckier than his boss...

This was the beginning of the 20-weeks long action-packed series of hairbreadth escapes and last-minute rescues for Stan Stilton as he repeatedly got in and out of Gannet Gunge’s clutches with the help of Charlie Cheddar and some other very strange aides. The plot developed at breakneck speed, in defiance of the laws of physics and logic, and was often jazzed up with Monty Python–like absurdity and mad intermissions which made S.O.S (Save Our Stan) stand out amongst traditional MFC strips.

Both opposing parties had friends and aides: Gannet Gunge and his midget menacing minions had Gunge’s Mumsy, Jorkins the torturer both of whom lived in Grisly Grange – the ancestral home of the Gunges, and a pack of Gungitranian monsters (croco-dorkles, the dreaded Boogly Woogie and others), while Stan Stilton and Charlie Cheddar had the undercover ally who was a master of disguise, the intrepid messenger parrot, a herd of patriotic British ferrets and last but not least – the readers of MFC. Every single episode of S.O.S (Save Our Stan) ended with a puzzle or a coded message which the readers were challenged to solve or decipher in order to help Stan get out of his weekly scrape. The readers were not expected to send their answers to MFC – the idea was that they solved the puzzles and imagined they were indeed helping the hero who would otherwise be doomed. In the beginning of each weekly instalment the scriptwriter pretended that readers’ essential help was received and well-appreciated, while the evil Gannet Gunge sometimes referred to readers of S.O.S (Save Our Stan) as meddlers.

The story ended when Stan’s young assistant disguised himself as a housemaid and laced the midgets’ tea with Gunge’s monster-making serum. The serum transformed them into monsters who then turned on their former master.

Let us not forget that the real reason why the chiefs of D.R.A.I.N. sent Stan Stilton on the mission was to get rid of the troublesome employee and they certainly didn’t expect the loopy agent to do away with the criminal mastermind. So when Stan phoned in with his "mission accomplished" report and requested transport back to D.R.A.I.N., No. 1 and No. 2 realised their plan had failed. They knocked up this last puzzle and hoped it would take Stan and Charlie years to work through, ‘unless those rotten readers’ helped them out.

Frankie Stein, the Honorary Editor of MFC, saw that Stan Stilton took a well-deserved holiday after MFC No. 39 which contained the finale of this interesting serial. IMHO the b/w two-pagers of S.O.S (Save Our Stan) with its wacky humour and weird puzzles were an excellent ingredient in the MFC package. The artist was Nick Baker who signed nearly all the sets. Starting from No. 28 the episodes of S.O.S (Save Our Stan) came with a double signature HITCH and Nick Baker:

Was Hitch the script writer? Mr. Baker included a few portraits of the artist, the writer and the editor in the strip. I don’t know if these are faithful caricatures or simply generic drawings of people in the professions, but here they are nonetheless:

I am sure I’ve seen the strip reprinted but I can’t remember where. I will update the post with the details when I come across those reprints again.

A LOOK AT MONSTER FUN STRIPS: THE LITTLE MONSTERS

British comics had a long-time tradition of busy single-frame strips about naughty kids. From Casey Court in Chips in the 40s to Hoot Squad in HOOT in the 80s, with many memorable offerings in-between (such as the early Banana Bunch sets in the BEEZER, Terrors of Tornado Street in BUSTER, Lion Lot in LION, Moonsters in SPARKY, etc.), they gave readers lots of pleasure in studying all the gags and details.   

MFC provided the entertainment by way of The Little Monsters – a strip about the antics of a crowd of little green creatures.  It was added to the package from issue No. 16 and landed straight on the cover. Here are some examples:

The Little Monsters appeared on the front cover of nearly every issue until No. 35 when the front page was permanently reserved for Gums. More often than not, the headline of the strip came with a by-line, such as The Little Monsters visit the Motor Show (…in Outer Space, …go Mountaineering; …in Oil Strike, etc. etc.).

When the strip was moved inside to make room for Gums, it became a half-pager and looked like this:

Another transformation took effect starting from issue No. 46 when The Little Monsters  were given a full page and became more like a ‘normal’ strip with several introductory frames and the final large panel with all the action which Sid Burgon did so well.  

Sid Burgon was the main artist but a number of episodes were drawn by someone else. The style that Sid Burgon used to draw his little green monsters was easy to imitate so it is sometimes difficult to tell which sets were by the other artist. Mr. Burgon liked to sign his work, so if in doubt, look for the signature, and if it’s not there then it is most definitely drawn by someone else (both half-pagers shown above appear to be ghosted). The rule isn’t universal because the set below is definitely by Mr. Burgon but his signature is absent:

The Little Monsters first appeared in MFC issue No. 16 and lasted until No. 70. Here is the list of issue Nos. without the Little Monsters: 37, 39, 41, 56 and 66.  The monstrous midgets received their own pull-out poster in issue No. 63 (21st August, 1976).

A LOOK AT MONSTER FUN STRIPS: MEANIE MCGENIE

Meanie McGenie was a funny little strip about a mean kilt-wearing highlander genie known by the name of Meanie McGenie. Like all genies, he lived in a magic oriental lamp and emerged from it when someone rubbed on it. What made Meanie McGenie different from his kind was that he hated being disturbed and would only grant one wish. Furthermore, Meanie McGenie annoyed his “customers” by always finding a cheap way to fulfil their wishes and thus lived up to his name. It is no surprise that the folks who found the lamp didn’t hesitate to toss it away for someone else to find (and get disappointed) in the next episode.

From MFC No. 70. Art by Mike Lacey

The modest 17-episode run of Meanie McGenie started in MFC No. 2. The strip then disappeared for nearly 6 months and was re-introduced in issue 27 but failed to keep a regular schedule and ended in issue 70. Here is the list of MFC issues where Meanie Mcgenie can be found: 2, 27, 28, 30-33, 35, 38, 40, 43, 47, 53, 59, 64 and 70. All the episodes were 1/2 page long.

From MFC No. 61. Art by Mike Lacey

12 episodes of Meanie McGenie were illustrated by Mike Lacey. Tom Williams drew the episodes in issues No. 38 and 43, and the sets in Nos. 40, 59 and 64 were by yet another artist whose name I don’t know. Here are examples of Tom Williams’ and the other artist’s work: