MONSTER FUN ANNUAL 1980, PART ONE

The fourth MF Annual was the first without Kid Kong on the cover; the big ape was replaced by Frankie Stein the friendly monster, drawn and signed by Robert Nixon. The book is 144 pages thick. My copy is price clipped, but looking at other Fleetway annuals released that year I think it will be safe to assume that the price was still £1.25.

Contents: Draculass (two 2-pagers in colour by Terry Bave, including one on front endpapers), Kid Kong (two 4-pagers by Bob Nixon, including one in colour), Hot Rod (6 reprints from Whizzer and Chips, including one in colour; artwork by Alf Saporito, Cyril Price and possibly someone else), Creature Teacher (two 3-pagers by Tom Williams), Teddy Scare (two 2-pagers),  The Little Monsters (two 2-pagers by Ed McHenry), Dough Nut and Rusty (two 4-pagers by Jim Crocker), George and his Magic Dragon (a 3-pager by Alan Rogers), Terror TV (two 3-pagers), A Christmas Phanto-Mime (a 4-pager, probably by  Mike Brown), Puzzles feature (a 2-pager), Art’s Gallery (a 2-pager by Terry Bave), Tom Thumbscrew (two 2-pagers), Frankie Stein (a 3-pager by John Geering and a 4-pager by Robert Nixon), Major Jump (a 4-pager), Badtime Bedtime Book – Second Showing – Robinson Gruesome (8 pages by Leo Baxendale, reprint of BBB No. 2 from MFC), Gums (two 3-pagers by Tom Williams and a 2-pager by Alf Saporito), Freaky Farm (two 3-pagers and a 4-pager, all by Jim Watson), Martha’s Monster Make-Up (two 2-pagers by Ken Reid), Brainy’s Monster Maker (two 2-pagers, including one in colour back endpapers),  King Arthur and his Frights of the Round Table (3 reprints from WHOOPEE!, artwork by Robert Nixon); Little Devil (a 2-pager by Tom Williams), Alfie’s Alphabet feature (2 pages by Mike Brown), Freaky Fairy Tales gags (1 page by Jack Clayton), Monster Maze puzzle (1 page), Animal Antics (2 pages of gags by Jack Clayton), The Haunted Wood (a 2pager by Les Barton), Dino-Sore spot the difference puzzle (by Cliff Brown), Dragon Fry! spot-the-difference puzzle (by Cliff Brown), X-mas Crossword (2 pages), Badtime Bedtime Story: Aladdin (8 pages by Mike Brown), X-Ray Specs (a 3-pager in colour by Mike Lacey).

Frankie Stein was the front cover star, so first let’s look at the two episodes of his adventures in this Annual. John Geering illustrated the one in which Prof Cube builds a robot programmed to destroy Frankie. “Robbie” serves his purpose and Frankie is smashed to bits. What Prof Cube hasn’t foreseen is that the robot will want to take Frankie’s place as Cube’s son. When the cruel scientist turns his back on him, the robot puts Frankie back together, brings him to life again and then self-destructs.

The gory sight of Frankie's body parts lying about

In the 4-pager by Bob Nixon Prof Cube gets an idea that perhaps if he persuaded Frankie he had double vision, the stupid lunk would go to hospital and Prof Cube could enjoy peace and quiet. Just as the plan is about to succeed, Frankie causes a traffic accident, Prof Cube suffers concussion and starts seeing double…

Kid Kong, the ousted cover star, features in two stories in this Annual, both drawn by Robert Nixon (although one is unsigned). In the first one Kid gets a Christmas job to earn some money to buy Gran a prezzy (just like last year, remember?).  He fails as a postman, then as a supermarket hand and finally as Santa in a department store but is rewarded in the end for giving presents to poor children rather than the rich ones who have plenty already.

In the second story Gran makes Kid Kong exercise because he is too heavy. Gran looses her temper in the end and Kid takes shelter in sauna baths for a few hours:

Tom Williams is an important contributor to this book. He illustrated two Creature Teacher tales. In the first one Teach’s temper is put to test during a craft lesson and he (or is Teach an “it”?) has to transform into a giant mole to restore order:

In the second episode Sir takes class 3X to look around a historic galleon and they resort to mutiny:

In the first of the two episodes of Gums illustrated by Tom Williams Bluey tricks Gums into swapping his old set of teeth for a new and shiny one made of rock. It melts in the shark’s mouth, the predator recovers his old gnashers and threatens to have Bluey for Christmas dinner but a little girl reminds them that Christmas is supposed to be the season of goodwill and suggests the two of them call a truce for the rest of the day:

In the second episode Gums pretends to have lost its teeth and holiday makers believe it is now safe to go out in the bay. This is one of those stories when Bluey prevails and the shark ends up toothless.

The third Gums tale was illustrated by Alf Saporito who drew quite a few episodes in the weeklies towards the end of the run. In this one Gums has a bad dream in which Bluey is a giant:

Let’s get back to Tom Williams who also drew the double-pager of Little Devil. The character was borrowed from KNOCKOUT comic where it appeared regularly in the early 70s. Here is the episode from MF Annual 1980, followed by the first KNOCKOUT episode:

And while we are on the subject of revived KNOCKOUT strips, The Haunted Wood is also originally from the seldom remembered first “all-colour” Fleetway comic where it started in the first issue and was illustrated by Reg Parlett, succeeded by Sid Burgon. The new episode in this MFC Annual 1980 was drawn by Les Barton. Here it is in full, followed by the first episode in KNOCKOUT:

Both KNOCKOUT “phoenixes” (Little Devil and The Haunted Wood) appear to be new material created especially for this MF Annual 1980.

Freaky Farm is represented by as many as three episodes. The first one is about a pair of motor-bikers who trespass on Freaky Farm and encounter a giant sharp-fanged toad, a horde of monster mice and the unfriendly farmhouse. When they flee in terror, police officers can’t believe they are doing it on foot…

The second is about an unfortunate veterinarian from the Ministry of Nitteries who calls at Freaky Farm to vaccinate cows against the suspected strength-sapping animal flu and faces the consequences:

The third visitor is I.Studyem, the well-known botanist, who is looking for ‘wild’ flowers. He most certainly finds more than he’s looking for. Here are the last two pages:

Ken Reid contributed two episodes of Martha’s Monster Make-Up. In the first one Martha puts some of her make-up on the next door neighbour’s cat so that it wouldn’t be bullied by all the other cats in the neighborhood…

.. and in the second one she monstrifies her snowman and some snowballs to teach the rotten bully a lesson; the script is rather lazy because it hardly differs from Martha’s story in the previous MONSTER FUN annual.

Alan Rogers illustrated George ‘n his (Magic) Dragon which looks like a mutation of Rex strip from the previous MF Annual.  George and Cedric the magic dragon accept an offer to beat a carpet for 50 p. but Cedric accidentally burns a hole in it and turns it into a flying carpet so that they can fly off and get another one.

This is the first MF Annual with Jack Clayton art:

Ed McHenry drew two sets of The Little Monsters:

What I find disappointing about this annual is the 4-pager of Major Jump in which Major and Cosmo go to deepest Africa to catch the dreaded Stripey Buzzflap. For me, poor artwork spoils even the best of stories. I am sure I could do better when I was ten…

I will save the rest for the second half of the overview.

All Images 2015 © Egmont UK Ltd.  All rights reserved. Used with permission.

WHOOPEE! FRANKIE STEIN HOLIDAY SPECIAL 1982

The last WHOOPEE! FRANKIE STEIN HOLIDAY SPECIAL came out for the summer holidays of 1982. It had 64 pages and cost 50 p.

The central story was Frankie Stein and Three Wishes – a 12-page, three-part tale illustrated by Frank McDiarmid. Driven into despair, Professor Cube is brewing another magic anti-Frankie potion, but Frankie causes an accident and some surprise chemical reaction summons a Genie who now has to grant Prof. Cube three wishes. Guess what the first one is:

The Genie turns out to be not a very smart one:

Dad realizes that now that he can’t see where his creation is, Frankie is likely to cause even more damage so he begs that the Genie takes the spell off Frankie. That’s one wish wasted. Dad is more careful when wording his second one:

Poor Dad fails to realize that he and Frankie are ‘tied up’ and when the Genie sends Frankie to Magic Land (that’s Genie’s idea of billions and billions of miles away), the big lunk drags the parent with him. In Magic Land they nearly fall under the spell of a cunning witch but her concoction causes Frankie to sneeze hard and the two make their escape. The blast of Frankie’s sneeze sends Prof. Cube flying on a carpet as though it were a magic one. Their next encounter is with the King of Magic Land and his daughter the whimsical princess who wants the magic carpet. Dad trades it for the King’s royal spell which makes Frankie vanish. That’s when the princess realizes that it is an ordinary carpet that won’t fly so both aristocrats set after Dad who finds a hiding place in the bushes. The princess spots a croaking frog which she kisses without hesitation hoping it will turn into a handsome prince (remember, this is Magic Land). The kiss breaks the spell and it turns out it was Frankie whom King had turned into a frog. Frankie accidentally gives Dad’s hideout away and the King gets his revenge by sending them both back to where they came from. That’s the second wish bungled.

Prof. Cube realizes that lots of his problems would disappear if Frankie was tiny, and that’s what he wishes for. The Genie can now retire to sleep for the next few hundred years. Dad locks Frankie in a small cage with a hamster wheel and takes him aboard a cruise ship as he goes on holiday. Frankie breaks loose and causes havoc on the ship. Check out the last two pages of the story:

Except for the front cover and two pages of Frankie Stein gags by artists whose names I don’t know, Frankie Stein and Three Wishes was the only new Frankie Stein material. 4 pages of Frankie’s Diary (probably by Jim Crocker) and two half-pagers of Ticklish Allsorts (by Les Barton) were reprinted from MONSTER FUN COMIC, while Freaky Frankie three-panel strips without speech balloons on the back page were the work of Sid Burgon for Shiver and SHAKE weeklies.  That’s a total of 21 pages of Frankie Stein.

There were two new 4-page episodes of Monster Movie Makers by Mr. Hill who signed his MMM sets for the first time. Carlo Monte is upset because his assistant Jock has sold all their films and they are now on TV with Director receiving no royalties.  Carlo Monte orders his assistant to come up with a fresh idea so that he can make money again. Jock suggests that a film featuring a monster frog would be sensational. The filming proves to be a disaster and what’s even worse, some TV cameramen capture everything on film. Carlo Monte is furious because telly boys are now going to make another fortune out of him!

In the second episode Jock is back from his holidays and Director laments to him about a series of failures which occurred in Jock’s absence because of their incompetent props team. Jock comes up with an idea of a film about a giant jelly-fish but with the entire props department now fired, he turns for help to canteen staff who make him a giant wobbling piece of strawberry jelly. The reaction that the filmmakers get from children during filming on the mock-up beach is nothing like they had expected because instead of getting terrified with the 'jelly-fish' the kids start feasting on it. Everything turns out well in the end for Monster Movie Makers because their new monster comedy is a trendsetter.

In a 4-page set by Alan Rogers Computer Cop deals with a gang of museum robbers led by a master crook who steals pictures for his collection and doesn’t know when to stop.

A Frightfully Funny Story… is by an artist whose name I don’t know but I find his style rather interesting. The 4-page story is about a tall and lean boy named Eric who is always hungry. He decides to enter for the monster fancy dress competition at the town hall and try to win the first prize – a hamper of grub. Eric is so broke he can’t afford a costume, so he uses the stuff he can find at the local junk-yard. His disguises get him into lots of trouble and when he finally makes it to the town hall, he doesn’t even need a costume to win the prize:

5 pages were filled with new non-comic strip material, such as puzzles, jokes and gags, nothing to write home about, really.  The game on the centerspread seems somewhat out of context to me:

As many as 18 pages were reprints of various first-class IPC strips: you can find three early episodes of Terror TV by Ian Knox (from MONSTER FUN COMIC), three two-pagers of Wizards Anonymous by Brian Walker (from SHIVER AND SHAKE), three pages of Rent-A-Ghost Ltd. by Reg Parlett (from BUSTER), two pages of Tom Thumbsrew by Norman Mansbridge (from MONSTER FUN COMIC) and two episodes of The Hand - one by Frank McDiarmid and the other one by I don’t know who (from SHIVER AND SHAKE).

All Images 2014 © Egmont UK Ltd.  All rights reserved. Used with permission.

This post closes the chapter of FRANKIE STEIN publications so it’s time to bid the friendly monster farewell for now and get back to MONSTER FUN COMIC.