welcome and enjoy!

Hi and welcome to my blog about comics from other people’s childhood! It is dedicated primarily to British humour comics of the 60s and 70s. The reason they are not from my childhood is simply because I didn’t live in the UK back then (nor do I live there now). I knew next to nothing about them until fairly recently but since then I’ve developed a strong liking for the medium and amassed a large collection, including a number of complete or near complete sets. My intention is to use this blog as a channel for sharing my humble knowledge about different titles, favourite characters and creators as I slowly research my collection.

QUICK TIP: this blog is a sequence of posts covering one particular comic at a time. The sequence follows a certain logic, so for maximum results it is recommended that the blog is read from the oldest post up.

Copyright of all images and quotations used here is with their respective owners. Any such copyrighted material is used exclusively for educational purposes and will be removed at first notice. All other text copyright Irmantas P.



Showing posts with label The Dandy. Show all posts
Showing posts with label The Dandy. Show all posts

Sunday, March 15, 2020

BEANO, DANDY and TOPPER THIS WEEK in 1953


How about a gallery of the front covers of a few of the comics on newsstands this week all those years ago in 1953? The Topper was of course nearly twice the size of the other two. They are all brilliant as far as I am concerned :)




Images are © D.C.Thomson & Co. Ltd.


Friday, January 17, 2020

CASH PRIZES IN WHOOPEE! COMIC



Check out the caption at the top of the front page of WHOOPEE! above. Indeed, in 1975 (and later on) readers of the comic were rewarded with more than just a bundle of laughs – they could also win themselves quite a bit of cash!

I randomly picked the issue cover-dated 17th May, 1975 and checked how much prize money was up for grabs in a week.


£1 was offered for each letter published in the ‘Letters’ column:


£1 was paid for each joke used (readers were asked to send jokes in a variety of subjects (School, Animal, Spooky, All at Sea, Police, Historical, etc.):


A prize of £1 was paid to the sender of that week’s Knock Knock joke:


There was a prize of £1 for every good suggestion for a script of Scream Inn:


That’s in addition to the joy of seeing your name included in the strip, usually in the first panel:


Last but not least, a kingly reward of £2 was offered for each World Wide-Weirdies idea used (not to mention the extra bonus of seeing your name in print at the top of the page):


Theoretically, if a resourceful reader was successful on all 5 counts, he or she could collect £6 in a single week!

Moreover, the adventure strips included in WHOOPEE! at that time encouraged readers to take note of the various clues in the weekly episodes, and enter for a cash prize at the end of the story. They were asked to write the clues on a coupon provided, stick it on the back of a postcard and send it to IPC Magazines. Fifty senders of the first all-correct cards were rewarded with £1 each, and saw their names printed in the magazine! Here’s an example from Island of Suspicion, followed by the coupon included in the next week’s issue of WHOOPEE!:



Besides, WHOOPEE! had all kinds of goodness offered by its advertisers. Here’s what was advertised in the issue of 17th May, 1975:




IPC children’s comics of the 70s competed for the young readers’ pocket money with well-established DCT titles. The Beano and The Dandy were 20 pages thick and cost 3 p., they had a stellar lineup of strips such as The Bash Street Kids, Biffo the Bear, Dennis the Menace, Minnie the Minx, Little Plum, Desperate Dan, Black Bob,  Corporal Clot, Roger the Dodger, etc. – all fondly remembered by parents and grandparents who now bought comics for their kids and grandchildren. In this context, IPC had to make an extra effort.

In the case of WHOOPEE!, the price of 5 p. (2 p. more than The Beano or The Dandy) was a drawback, but the page count of 32 (12 pages more than The Beano or The Dandy), the excellent lineup of dynamic fresh-looking characters and strips (particularly those exploiting the hot new theme of horror humour – which DCT tended to completely avoid at the time), the quality of the art, the abundance of colour pull-out posters and fun booklets (hardly ever found in the rival comics) made WHOOPEE! a very appealing package. Involving the young readers into the process of creating the comic (by asking to send strip ideas, etc. and printing contributors’ names in the paper) was a particularly clever move of the editorial team, as was the generous cash-reward policy.

To put my findings into context, I checked my copies of that week’s issues of The Beano and The Dandy to see what their cash prize offering was. Somehow, I was not surprised to discover it was just £2 per week in The Beano (£1 for each letter printed, and £1 for each printed drawing of a reader’s pet): 



…and an unspecified cash prize for each ‘little funny story’ printed in The Dandy (the top story of the week received a Practical Joker’s Fool Outfit):



And while you’re here, I would like to remind you that although 2019 is over, my promotion for the POWER PACK OF KEN REID is not. Get your copies of the books and BONUS FREE PRINTS on eBay or from my online shop HERE!


Wednesday, January 18, 2017

WORLD’S NICEST COMPLETE COLLECTION OF THE DANDY AND THE BEANO FROM 1970 - 1988


Some time ago I wrote about my ambition to collect THE BEANO and THE DANDY from the first issues of 1970 till the last newsprint numbers of 1988, and have them bound in half-year hard-cover volumes. Well, the mission has been accomplished and I am now the proud owner of the World’s most nicely packaged complete collection of the two comics from the period :)  

I went for the best condition I could lay my hands on. Many of the comics are in pristine condition and have their pink flyers or free gifts intact, and the bound volume packaging ensures they will remain that way for many years to come. I prefer half-year format to complete years because in the thinner volumes the centre pages of the comics open flat and one can fully appreciate the beauty of strips like The Bash Street Kids and Corporal Clott.

The books have white covers with reproduction of the first issue of the volume on the front and that of the last one on the back. Spines are made of artificial leather. Each volume comes with a dustjacket with reproductions and text on the front, the back and the spine. They look great on the shelf and I can conveniently find any issue that I want in a matter of seconds! 

In the process of collecting these long runs of the two titles, I also picked up a beautifully preserved complete set of HOOT and the first two years of NUTTY, so I had them bound in the same format. 

I will now wait until I have the time to read them all, or until someone reads this post and offers me a lot of money for this massive and unique collection. Don’t be shy to contact me if you have serious thoughts :)




















Tuesday, June 16, 2015

MORE OF HORROR COMEDY FROM DCT COMICS!



Not only were DC Thomson never big on comedy horror, they also rarely offered cut-outs or pull outs. However, two consecutive issues in 1976 (Nos. 1802 and 1803) did have cut outs, and not just some ordinary cut outs but monster-themed ones!



The 4-weeks’ competition began in issue 1800 dated 22nd May, 1976. At first the challenge was to dress up Korky but then they changed the theme for some reason and offered readers a possibility to assemble some funny monsters.

All Images 2015 © DC Thomson, Ltd.  All rights reserved.