welcome and enjoy!

Hi and welcome to my blog about comics from other people’s childhood! It is dedicated primarily to British humour comics of the 60s and 70s. The reason they are not from my childhood is simply because I didn’t live in the UK back then (nor do I live there now). I knew next to nothing about them until fairly recently but since then I’ve developed a strong liking for the medium and amassed a large collection, including a number of complete or near complete sets. My intention is to use this blog as a channel for sharing my humble knowledge about different titles, favourite characters and creators as I slowly research my collection.

QUICK TIP: this blog is a sequence of posts covering one particular comic at a time. The sequence follows a certain logic, so for maximum results it is recommended that the blog is read from the oldest post up.

Copyright of all images and quotations used here is with their respective owners. Any such copyrighted material is used exclusively for educational purposes and will be removed at first notice. All other text copyright Irmantas P.



Showing posts with label Reg Parlett. Show all posts
Showing posts with label Reg Parlett. Show all posts

Monday, November 2, 2015

GHOSTLY GO ROUND FEATURE



Ghostly Go Round was an interesting feature in WHOOPEE! comic. As young readers gradually lost interest in the once-popular horror comedy genre (as confirmed by cancellation of such brilliant WHOOPEE! features as World-Wide Weirdies and Scream Inn/Spooktacular 7) and the Editor needed to clear space for new material, he came up with an idea of bringing four strips under one umbrella and rotating them in sequence. The strips that formed Ghostly Go Round were Evil Eye, Fun-Fear, Creepy Car and ‘Orrible Hole. The feature was launched in the first issue of 1979 and continued for slightly more than a year before all the four strips were put to rest one by one.

Ghostly Go Round required a new logo that could be used with all the 4 strips and the job was given to Ken Reid. He used the idea of Bob Nixon’s original Fun-Fear logo, made it spookier and squeezed the four main characters into the bottom left corner. The result wasn’t so great, IMHO. I think Bob Nixon’s old version was much better. Below are both logos side-by-side.


Here are the first appearances of the 4 strips in the heyday of WHOOPEE! comic. Evil Eye started in the very first issue of the paper:


… followed by Fun-Fear in the issue cover-dated 17 August, 1974:


… then Creepy Car on 12th October later that year (UPDATE: the strip was in fact an immigrant from SHIVER AND SHAKE where it had started nine weeks before the paper folded. The episode shown below is the first one in the combined Whoopee! and Shiver & Shake, hence the recap of the origins):


… and finally ‘Orrible Hole in the first issue of 1975 (cover-dated Jan 18 because the comic missed a few weeks due to industrial action at the junction of 1974/75):



Wednesday, September 11, 2013

1976 SHIVER & SHAKE HOLIDAY SPECIAL



1976 SHIVER AND SHAKE Holiday Special cost 25 p. and was 64 pages thick. Here’s what was inside. Again, red marks the strips that weren’t familiar to readers of Sh&Sh weeklies, earlier annuals or holiday specials.

Freddie Fang the Werewolf Cub (5 reprints from COR!! including two in full colour); Shiver (2 episodes by Terry Bave, including one in full colour); Ghouldilocks, The Hand; Scatty Bat (4 reprints from WHIZZER AND CHIPS); Frankie Stein by Frank McDiarmid; The Ghost’s Revenge; Shake by Terry Bave (3 episodes, including two in full colour); Moana Lisa by Alf Saporito; Mirth Shakers (5 pages of gags illustrated by Mike Lacey); Wizard Prang and Demon Druid (4 reprints from SMASH!/POW!); The Desert Fox by Terry Bave; International Street by Joe Colquhoun; Sports School by Jim Watson; Webster by Terry Bave; Brain Raiders puzzles centrespread; Tough Nutt and Softy Centre by Norman Mansbridge; Fixer by Les Barton; Grimly Feendish (reprint from SMASH!); Blunder Puss by Jim Crocker (signed); Horrornation Street by Tom Williams; Which Witch is Which? by Ken Reid; Ghoul Getters Ltd. by Les Barton; Ring the Changes puzzle by Tom Williams featuring Horrornation Street; The Duke’s Spook.

Terry Bave was the biggest contributor with 9 pages of Shake, Shiver, The Desert Fox and Webster artwork. Here is a large colour panel from one of his Shake sets:


The second largest input was by Mike Lacey who drew the cover and 5 pages of Mirth Shakers gags.

A number of sets were drawn by substitute artists, such as Frank McDiarmid on Frankie Stein:


… Alf Saporito on Moana Lisa:


… and Les Barton on Fixer and Ghoul Getters Ltd.



By this time regular readers of Shiver and Shake annuals and holiday specials were well familiar with Scatty Bat and Wizard Prang and Demon Druid that were in fact reprints from older comics. In this edition the roster of reprints was supplemented with another feature - Freddie Fang the Werewolf Cub, originally from COR!! I covered the strip last year in my COR!! series, you can read the review HERE. The 5 episodes included in the 1976 Shiver and Shake holiday special were by the brilliant Reg Parlett. The original sets were in black and white but two of the reprints were coloured in. Check out an original and its coloured version side by side. This happens to be the first episode of Freddie Fang from the first issue of COR!!



As can be seen from the list of the strips above, the special had no Scream Inn that was always the feature to look for in Shiver & Shake publications but the two surprise one-offs included in the edition are more than enough to make up for the omission.

The first one is International Street from the hand of Joe Colquhoun. It may very well be a reprint but if it is, I don’t know where from and would be delighted if someone told me the source and whether it was part of a series:


And if you thought International Street was the highlight of the 1976 SHIVER AND SHAKE holiday special, think again because the magazine also included Which Witch is Which? – a two-pager by no less than Mr. Ken Reid. We’ll probably never know if this was a test episode for a series that was never followed up, or perhaps something that Mr. Reid drew for his own enjoyment and the editor though it was too good not to be printed. Either way, it is an excellent set showing the master at his very best…