A LOOK AT SHIVER & SHAKE STRIPS: MALICE IN WONDERLAND

The 10-weeks period between two Eagle Eye stories (Shiver and Shake issues 32 – 41 (13 October, 1973 – 15 December, 1973)) was filled with another suspense serial Malice in Wonderland, this one illustrated by Ron Turner. The secret-agent yarn was different from other SHIVER AND SHAKE adventure stories so far because it didn’t offer readers a chance to win cash prizes.

Sammy Hunter and his father John Hunter travel to New York but Sammy’s long-awaited trip turns into a baffling and perilous adventure. Upon arrival in New York City Sammy soon finds out that his father is a British secret service agent rather than a carpet salesman as he has always thought, and that their holiday trip to America is in fact a ‘cover’. His father’s true mission is to deliver some top-secret vital information to American government. Armed enemy agents derail the original plan in the very first episode by killing John Hunter’s contact. As he breathes his last breath, the poor man tells John Hunter he should go to Wonderland – the biggest amusement park in the World, and deliver the information to a new contact but fails to identify him by name:

Chased by hostile agents, John Hunter wastes no time in getting to Wonderland. We soon find out that John Hunter’s pursuers are followers of Octopus – a weird mutant and string-puller whose sinister organisation is secretly headquartered in Wonderland… 

I will skip a number of perilous situations from which the Hunters make a narrow escape. As the story develops, the minions of Octopus capture John Hunter’s new contact. Octopus threatens to kill him unless John Hunter surrenders himself with the secret information. Being an experienced secret service agent, John Hunter quickly finds out where his colleague Brett Richards is being held prisoner and takes action:

Differently from Eagle Eye, in this story it is not the boy but the father who is sharp-eyed and observant. Ron Turner’s Sammy Hunter looks a bit too old to carry the plastic gun or be so excited about the rides in the amusement park, don’t you think?

SHIVER AND SHAKE 1975 ANNUAL

SHIVER AND SHAKE Annual 1975 had 160 pages and cost 80 p. The book came out when the weekly was still up and running: the first ad of the book can be found in the issue cover-dated 31st August, 1974 (No. 74).

For me it is one of the most interesting IPC annuals ever with lots of quality new material and multiple artists offering their takes on popular characters.

Here is the summary of the contents: Creepy Creations Calendar - 1975 (4 pages), Ghouldilocks (3 episodes by Stan McMurtry, one in full colour), Webster (2 episodes by Terry Bave, one in full colour), Dr. Heckle (4 instalments, one in full colour), Scatty Bat (3 episodes), Sweeny Toddler (2 episodes, by Tom Paterson or Martin Baxendale), The Hand (5 episodes, all by different artists), The Shiver Givers (2 episodes, probably by Tom Williams), Grimly Feendish (4 episodes), Frankie Stein (3 episodes), Biddy’s Beastly Bloomers (two episodes by different artists), Horrornation Street (2 episodes by Tom Williams),  Scream Inn, The Duke’s Spook (3 episodes, all by different artists), Shake (2 episodes in full colour by different artists), The Forest Legion (6-page episode in full colour), Nutter (3 episodes, two in full colour), Tough Nutt and Softy Centre (3 episodes, one in full colour), Damsel in Distress (3 episodes, one in full colour), Match of the Year – Winter Sportsmen versus Snowmen (4 pages), Wiz War (3 episodes, including one special episode Wizard Prang and Demon Druid ‘Wiz’ Wizardry Galore), Moana Lisa (2 episodes by Peter Davidson), Lolly Pop (two episodes by different artists), The Fixer, Eagle Eye (8-pager), The Desert Fox (3 episodes by Terry Bave), Mirth Shakers (2 instalments), The Phantom Piper (8-pager), Sports School, Mickey Muggins, Money Maze puzzle, Ed (2 episodes, one in full colour), Soggy the Sea Monster (2 episodes by Robert Nixon, one in full colour).

The features marked in red were one-offs that hadn’t appeared in SHIVER and SHAKE publications before. Dr. Heckle and Mickey Muggins are hardly worth mentioning – I find nothing interesting about them. Quite the opposite applies to the other two. Let’s leave The Phantom Piper for the end of the post. As for Creepy Creations 1975 Calendar, it was another excellent piece from the hand of Ken Reid. 4 pages of the brightly coloured calendar were on the inside covers and the pages opposite them, three months per page. Check out some examples of the Creations from the calendar: 

There was more of Ken Reid’s art in the Annual. The three Frankie Steins included in the book were reprints from WHAM! Nos. 39, 67 and 80, all with a few panels dropped because panels of the original one-page episodes were re-arranged to fill two pages. Here are some sterling images from two different episodes:

 

Frankie Stein episodes weren’t the only reprints in the Annual – so were the installments of Scatty Bat (reprinted from Whizzer and Chips), Wiz Wars (from POW! and SMASH!) and Grimly Feendish (from SMASH!).

As can be seen from the summary of contents above, all episodes of Ghoudilocks, Webster, Desert Fox, Horrornation Street, Moana Lisa, Soggy the Sea Monster and a few other strips were illustrated by their regular artists.

And now comes the interesting part because different episodes of a few popular strips were illustrated by different first-rate IPC artists. I don’t remember seeing another IPC funnies annual with so many examples of this interesting practice.

Mike Lacey and Terry Bave illustrated one episode of Shake each. Then there were two episodes of Lolly Pop: a 4-pager by Robert Nixon and a 3-pager by Sid Burgon. Both artists worked on the feature in the weeklies. Here are four sample panels, two from each set. In the first pair Pop is mean and miserly, and in the second he is devastated and furious because his fortunes have been ruined by Archie, as always:

 

Next comes Biddy’s Beastly Bloomers, with one set drawn by Sid Burgon:

… and the second by another artist who I think was Tom Paterson:

The further we go, the more exciting it gets. There were three episodes of The Duke’s Spook included in the book; one was by Arthur Martin who I believe was the strip’s regular artist in the weeklies:

… the other one by Les Barton who was often invited to step in for other artists in different IPC Annuals and Holiday Specials:

… and the third by Frank McDiarmid who did numerous one-off ghostings in IPC publications in the mid-70s, particularly in the Annuals and the Star Guest feature in the weeklies. I believe he is also responsible for one episode of Damsel in Distress in this Annual. Here is the complete set of The Duke’s Spook by Mr. McDiarmid:

The trend is championed by The Hand with as many as five sets, all by different artists, four of whom I think I can identify as Arthur Martin:

… Les Barton:

… Frank McDiarmid:

… and Tom Paterson:

 

... plus one whose name I don’t know:

So much for different artists’ takes on the same character. But the goodness doesn’t end here. Here is the opening panel of The Match of the Year by Mike Lacey (snowmen came on top in the end):

The Forest Legion made their second appearance (after 1974 Annual), only this time in full colour. Here are the first two pages of the 6-page tale in which the team of vigilant forest animals bust the crooks Boss and Butch once again:

An episode of Scream Inn by Brian Walker would have improved this excellent book even further. Unfortunately, you can’t have it all and the 3-pager was illustrated by the same ghost artist who was responsible for the instalment in the 1974 Holiday Special; here is a taste of the story in which a Snowman tried to spend a night in the haunted bedroom to win a million pounds:

Adventure ingredient of the package was an 8-page episode of Eagle Eye by Ron Turner, who, to my regret, wasn’t responsible for weekly instalments. Here is the opening page of the story in which ‘Eagle Eye’ Tommy Trotter and two safari park guides nab a gang of professional crooks who attempt to steal an exotic onyx from the park:

Eagle Eye wasn’t Ron Turner’s only contribution to SHIVER AND SHAKE 1975 Annual. The second was this extraordinary one-off Phantom Piper story. Extraordinary because Ron Turner specialised in sci-fi and adventure stories and this is the only example that I am aware of when he tried his hand at the comedy genre. The set below proves what a universal artist Mr. Turner was. I find his humour style very appealing. There is something about the pages below that reminds of Harvey Kurtzman’s work, don’t you think? Here is the tale in its entirety:

A LOOK AT COR!! STRIPS: YOUNG MACDONALD AND HIS FARM

Young MacDonald and His Farm was a series that appeared in COR!! Holiday Specials and Annuals in the period 1973 – 1986 (with a few breaks in the early years). 

The Editor was undecided as to which word of the title (if any)
he wanted inside inverted commas...

Andy “Young” MacDonald lived on a remote farm in the highlands of Scotland with his Grandfather, Andy “Old” MacDonald. Andy’s job was to help the old man run the farm but his real passion was inventing machines and building life-size mechanical models of various animals which he could control with a complex control box. The boy had a workshop in a vast cave that he kept secret from his Grandpa because the old man saw no good in machines and would not have anything mechanical on his land. He always looked down on Andy’s hobby and inventions. Young MacDonald’s original intent was to use his mechanical creations for different jobs on the farm but they also came handy in repelling and capturing sheep-rustlers, kidnappers and other evil-doers whenever they chose to trespass or do their dirty deeds on or around Old MacDonald’s land.

The idea of the story certainly wasn’t new – British comics have seen many characters who could control mechanical creatures. As a character, Andy is somewhat dull. In my opinion the most memorable and vivid figure in the series is that of the kilt-wearing Old MacDonald who speaks with a mild Scottish accent, uses the swear-word “Christopher Columbus” and is very consistent in his dislike for mechanical gadgets.

Ron Turner illustrated a number of instalments as indicated in the detailed account below. One episode was drawn by Les Barton and one was signed “Parko”. The name of the artist who illustrated the majority of the episodes is unknown to me. Ron Turner's version is my favourite one.

Here is a detailed account of all episodes:

COR!! Comic Annual 1973, one episode of 8 pages: Young MacDonald uses his mechanical zoo to persuade the sheep-stealing Hamish McSteeler and Angus McRustle never to set foot on Old MacDonald’s farm again. The illustrator’s name is unknown to me. Here are the first two pages:

COR!! Holiday Special 1974, one episode of 8 pages. Old MacDonald is determined not to let the old Lord’s nephew and his fancy paying guests from London hunt, shoot and fish on his land. Young MacDonald unleashes his mechanical bull on the beaters and then his bullet-resistant pheasants on the hunters. Finally, he uses a mechanical fish to scare off some trespassers who are fishing on Old MacDonald’s side of the loch.  Still ignorant of his grandson’s secret farm of mechanical animals, Grandpa is convinced he has sent the unwanted guests packing with his bare hands… Art by Ron Turner. Here are the first two pages:

The panels below show Andy's mechanical inventions that appeared later in the episode:

COR!! Comic Annual 1977, one episode of 8 pages. Andy uses his mechanical moles to dig up spuds when he sees a team of road builders about to knock Old MacDonald’s farmhouse to build a road. Andy stops them with his mechanical moles but it takes his giant iron monster to make the local roads committee and police abandon the idea of building the road across Old MacDonald’s land. Grandpa still believes it was he who saved the farm. The illustrator’s name is unknown to me. Here is a sample page:

Andy's moles at work:

It remains to be checked whether Young MacDonald appeared in the 1978 COR!! Holiday Special until I get hold of a copy. UPDATE: There was no Young MacDonald in the Special.

COR!! Comic Annual 1980, one episode of 7 pages. Robbie the sheepdog is sick so Old MacDonald takes him to the vet. Andy hopes to use his mechanical colie to bring the flock in from the fields for winter but the robot gets out of control and falls under suspicion that it might be responsible for the loss of a few sheep. Andy goes for a reconnaissance mission on his giant robot eagle and spots two sheep-rustlers trying to steal more animals. Andy tries to stop them with his mechanical wild boar but the robot has an accident and the evil men realise it is a trick. The runaway colie saves the day by causing a sheep stampede and knocking the villains out. This is the first episode in which Grandpa begins to warm up to Andy’s mechanical inventions. The illustrator’s name is unknown to me. Here are the last two pages:

COR!! Comic Annual 1981, one episode, 8 pages. Andy fetches his mechanical elephant to water a crop of peas because Old MacDonald resists mechanical aids on his farm and refuses to buy a sprinkler. Later the boy uses two of his mechanical inventions – a rhino and an eagle to rescue Mirabelle Dunwoody from a kidnapper. Mirabelle’s father insists on rewarding young Andy and the boy chooses a sprinkler so that he can have more free time to spend in his secret workshop.  The illustrator’s name is unknown to me. Here is the opening page:

1981 COR!! Holiday Special, one episode, 8 pages, signed by Parko. Andy’s rhino goes out of control, demolishes Old MacDonald’s shed and causes a chicken-run. Grandpa is very angry and demands that “them metal beasties have got to go”. The old man expects a spell of nasty weather and sets out for the town to replenish food supplies. Andy’s mechanical eagle, elephant and giant robot mole rescue Old MacDonald from under a snowfall. He admits that Andy’s beasties do come handy “just a wee bit at times” and agrees to give them another chance. Here is the opening page. Note the artist's signature in the splash panel:

COR!! Comic Annual 1982, one episode, 6 pages. Andy spots two foreign spies who work for Zurkovia and have just stolen some secret plans from the military base. Andy tries to drive the scoundrels back with the help of his mechanical wolves and a stag but the spies are smart enough to realise they are being stalked by mechanical contraptions so they send out a jamming signal to stop them. The day is saved by Andy’s new invention - a pair of mechanical beavers who build a dam on the river and prevent the spies from making their escape by motorboat. The illustrator’s name is unknown to me. Here are the last two pages: 

1982 COR!! Holiday Special, two episodes, 4 pages each. Also on the front cover:

In the first episode Andy and his mechanical zoo save the film star Gary Gregson from a cunning kidnapper. Film director rewards Andy with a big fat check and the MacDonalds can now afford a holiday. Art by Ron Turner.

Andy's giant gorilla accidentally interferes and ruins a film shoot:

Andy's mechanical monsters closing up on the kidnapper:

In the second episode Andy and his Grandad go on holiday. Andy’s amazing mechanical bird takes them to the beach where they are captured by a gang of crooks who are holding the whole population of the town of Seaburg to ransom. Before getting seized by the villains Old MacDonald accidentally hits an emergency button on Andy’s remote control and summons the whole pack of mechanical monsters. The kidnappers are taught a lesson… Art by Ron Turner.

The army of Andy's mechanical monsters on the march to Seaburg:

Gangsters flee in panic:

...but there is no escape for them from Andy and his farm:

COR!! Comic Annual 1983, one episode, 8 pages. Andy finds himself alone against a gang of crooks who have hijacked a truck and captured Old MacDonald and constable McTaggart. To make things worse, the villains get the drift of Andy’s ability to control the “funny animals” and take away his remote control. Andy climbs into one of his special models – a life-size giraffe that he can control from inside and stops the crooks from getting away with the loot. Art by Ron Turner.

Surprise mole attack:

Last two pages of the episode:

1983 COR!! Holiday Special, one episode, 5 pages. Andy calls up his fantastic bird Goldie so that it can take him to the village to fetch some medicine for Grandad. Upon his return the youngster finds some strangers on the farm helping themselves to the old man’s sheep while he’s asleep. Brave Andy confronts the rustlers but they tie the boy and the old man up and proceed loading the flock to the lorry. They also decide they want the metal animal models without realising Andy’s ability to control them. Andy loosens his bonds and activates the metal creatures. The rustlers get so terrified that they take shelter in the police van that has come to take them in. Art by Ron Turner. It's a nice representative episode that has every ingredient of a typical Young MacDonald story, so here it is in its entirety:

COR!! Comic Annual 1984, two episodes. In the first (a 6-pager) Andy encounters a real flying saucer and helps some friendly space aliens fix the engine of their craft. He also tricks his Grandad into believing that the object that he saw flying over the farm was not a flying saucer but Andy’s new remote controlled hover-mower. Art by Ron Turner.

Andy meets the space aliens:

The episode features some previously unseen exotic additions to Andy’s zoo, such as a mechanical bat with a built-in radar and a giant octopus:

The second episode (a 5-pager) is a Christmas story. It starts with another attempt by Andy to persuade Old MacDonald that his mechanical animals can be useful. Andy introduces his latest invention – a fire-breathing mechanical dragon that accidentally sets the barn alight. Robot jumbo puts the fire out but floods half the farmyard. Outraged, Old MacDonald orders Andy to get rid of all the beasties once and for all. Wandering about with his mechanical zoo, Andy meets Santa who was due to appear at the store in town but careered into a snowdrift. Grateful for saving him, Santa invites both MacDonalds to the party. Andy’s mechanical reindeer are the only transport they can use to get there in the snowy weather. I’m not quite sure, but I get an impression that the art is by the same illustrator who drew the episode in the 1981 COR!! Holiday Special and signed Parko. Here is the last page of the episode:

COR!! Comic Annual 1985. One episode, 4 pages. This was another episode with the Christmas theme. Andy is going to surprise Grandfather by giving him Bruno Bear, a mechanical farm labourer, a as Christmas present. The young inventor demonstrates how good Bruno is at shifting snow and buries the old man and his car under the snow.  Old MacDonald drives off to the station to collect Andy’s uncle Jock who is coming for Christmas but comes back with a carful of uncle Jock’s nephews instead. The kids fiddle with Andy’s remote control and cause havoc in the workshop. All ends well when Andy decides to use his animals for a Christmas Circus. Art by Les Barton. Here is the first page of the episode:

... and here is the last one:

COR!! Comic Annual 1986. Two episodes. In the first (a 6-pager) Andy’s mole ploughs the field and unearths a mysterious metal box. Old MacDonald believes it is the treasure hidden by his great uncle Angus. In reality though the box contained jewels and was stolen from the Lord’s mansion weeks ago by a crook who hid it on Old MacDonald’s farm because the police were after him. The thief snatches the box and tries to escape by boat but Andy unleashes his mechanical loch monster and stops him. Art by Ron Turner. Here are the first two pages of the episode:

Here's Andy feeding his rhino:

In the second episode (a 5-pager) that also happens to be the last one of the series, Andy uses his metal rhinos to clear the road because the snowplough has broken down. Afterwards he mounts his mechanical eagle and goes searching for Grandfather who decided to climb Ben Buchan and probably got himself into trouble because of poor weather conditions. Andy summons Congo, the giant gorilla, to clear the entrance to the cave blocked by rock fall. Inside, he finds a girl whom he brings to the farm. The constable tells them they found Andy’s Grandfather in a snowdrift and that the old man is all right, except that he sounds a bit delirious and swears he saw a big gorilla walking up in the mountains… The illustrator’s name is unknown to me. Here is the opening page: