ARTIST SELF-PORTRAITS (PART 3)

In 1990 and 1991 Buster ran a Meet the ArtistS series where the then Buster artists drew themselves and provided some details about their lives and artistic careers. To the best of my knowledge, the series covered a total of twelve artists, here are the first four. Others will follow soon:

1979 COR!! HOLIDAY SPECIAL

1979 COR!! Holiday Special, 40 p., 64 pages.  

The contents were: Gus Gorilla (2 new episodes and one reprint in full colour, all by Alf Saproto), Hire a Horror (5 reprints, one in full colour), Ivor Lott and Tony Broke (4 reprints, one in full colour, and 1 original episode), Puddin’ Tops (2 episodes,), Tricky Dicky, Whacky (4 reprints, one in full colour), Seaside Crossword, Benny Bendo, Patch-Eye Hooker (2 episodes), Nightmare (by Les Barton), The Gasworks Gang (3 reprints from old COR!! weeklies, one in full colour), Beezz Neezz (2 episodes), Tease Break (2 instalments, one in full colour); Football Madd (1 reprint and 1 new episode by Les Barton), Tomboy, Andy’s Ants (signed by Terry Bave), Blackpool in Space (signed by Alan Hodge), Jelly Baby, Donovan’s Dad (signed by Terry Bave), Chalky, Teacher’s Pet, Willy Worry (signed by Terry Bave), 

There were three one-offs in the this Holiday Special:

Puddin’ Tops stories were reprints of a strip illustrated by Terry Bave that appeared in the early issues of Whizzer and Chips.

Beezz Neezz was a tale about a bee that suffered from a bad case of hay fever and couldn’t go near pollen.

Blackpool in Space (illustrated and signed by Alan Hodge) was a ‘SF’ tale about a holiday resort of the future and a conflict of two rock manufacturers over secrets of making bars of rock. Here are all 4 pages of the story:

 

A LOOK AT COR! STRIPS: COR-MEDY CHOICE, FIRST SERIES

COR-Medy Choice feature was introduced in the issue dated 21st April, 1973 (No. 151) to give readers an opportunity of selecting a new fun-series from ten brand new comedy ideas presented over a period of ten weeks. Here is how the idea was packaged in the header and the footer of the weekly instalments:

Here are brief synopses and the opening panels of all ten entries:

The Fun-Time Machine, 2 pages, 21st April, 1973, issue No. 151: Boy and girl use a Fun-Time Machine invented by their Grandfather. They travel to Roman times and find themselves in the middle of a Roman arena facing a gladiator. They cause mayhem in the arena and return home safely. Illustrated by by Les Barton:

Scarey Crow, 2 pages, 28th April, 1973, issue No. 152: A crow is sick and tired of people trying to scare his kind with scarecrows, etc., so he decides to give humans a taste of their own medicine. His first attempt fails but he declares he is not done scaring humans yet... Illustrated by Terry Bave:

Seymore Son of Tarzan, 2 pages, 5th May, 1973, issue No. 153: Seymore who is a fat bald kid tries to build a new do-it-yourself tree house together with his assistants – a dumb-looking ape Cyril and an exotic animal that most probably is a wild boar; the effort involves a series of accidents and ends in destruction of the tree house and the tree. Illustrated by Stan McMurtry:

Val's Vanishing Cream, 2 pages, 12th May, 1973 , issue No. 154: Val finds a jar of vanishing cream in the bag of old cosmetics that her Mom asks her to pop in the bin. Val uses it well: she makes the teacher’s cane vanish and class is over without a single caning. Illustrated by Mike Lacey:

Snappy Sam and Flash Harry, 2 pages, 19th May, 1973, issue No. 155:  Snappy Sammy and Flash Harry are cameramen working for two competing papers – Morning Piffle and Daily Bilge. Sammy is a bespectacled kid and Harry is an evil grown-up who plays tricks on his rival and interferes with his job; in this episode they both have an assignment to take some pictures of a famous football player. Illustrated by Graham Allen:

Sheik Oleg, 2 pages, 26th May, 1973, issue No. 156: Sheik Oleg is a fat and short bloke who walks around with a pet – a strange rodent. He buys an old camel from Cyril Swindle (used camels salesman who looks a lot like Grimly Feendish) so that he can ride home in style; the camel immediately goes missing  and Sheik Oleg goes looking for it in a rubbish dump. He then takes the ponging camel to a camel wash but gets scrubbed himself instead. Illustrated by Stan McMurtry:

My Old Man's A Junkman, 2 pages, 2nd June, 1973, issue No. 157: Dusty Binn, Rag and Bone merchant, and his son Rusty live at the end of the posh Ritzy Avenue and run a scrap business to the great dissatisfaction of their wealthy neighbours. I don't know who the illustrator was. Any suggestions, please?

Professor Potty and Son, 2 pages, 9th June, 1973, issue No. 158: Professor Potty is a crazy scientist (who looks a lot like an older and bald version of Valiant’s Billy Bunter) tries to prove that well-accepted theories are wrong. In this episode he challenges two theories: the one that elephants don’t forget, and the one that sound vibrations can shatter things. Illustrated by Les Barton:

Doctor Quackpot, 1 page, 16th June, 1973, issue No. 159: A tale about a daft doctor who receives weird patients. In this episode the patient is a guy with a cowboy hat only he is not a cowboy. He uses the hat to cover his hair because he suffers from multiple dandruff. The whole room gets filled up with dandruff in a few moments and Dr. Quackpot calls his mate Vet for assistance. The Vet who appears to be just as daft brings penguins along so that they can enjoy themselves in the “snow”… Illustrated by Tony Goffe:

The Pipes of Stan, 1 page, 23rd June, 1973, issue No. 160: Stan has a pipe which turns people to stone while the second blow brings them back to their selves and so forth any number of times. This again looks like the work of Tony Goffe to me:

Voting coupon was included in COR!! issue dated 30th June, 1973 (No. 161), alongside with a recap of all 10 competition entries:

Results of the vote and the winner were announced in COR!! issue dated 18th August, 1973 (No. 168): 

A LOOK AT COR!! STRIPS: THE SLIMMS

The Slimms. This was the last long-running IPC strip originally created for COR!! by Sheila and Terry Baves. In the second part of his article in the Summer 1986 edition of GOLDEN FUN Terry Bave recalls that slimming was a popular theme of the day, so his wife Sheila suggested that there might be makings of a good fun feature with slimming as the central theme. After some thought and some sketches, they came up with what they believed was one of their most successful features – The Slimms. It proved very popular with COR!! readers. The Baves supplied scripts for many weeks until other IPC writers took over; Terry Bave continued to draw The Slimms week by week until the paper folded.

From COR!! issue dated 19th January, 1974 (No. 190)

Little boy Sammy Slim has a problem and it’s his parents who are obese and Sammy is always ridiculed by other kids because of this. So he finally decides they can’t go on eating like this and will have to go on a diet, starting immediately. But Mum and Dad always manage to outwit Sammy and stuff themselves silly because they like being fat and enjoy grub too much to slim. Sammy is very persistent and schemes all kinds of plots to get his parents to diet or exercise. From what we can tell, Mum and Dad are unemployed so Sammy even tries to fix some jobs for them so that they can work off some of their weight

From COR!! dated 16th February, 1974 (No. 194)

The feature premiered in COR!! issue with the cover date of 1st January, 1972 (No. 83) and continued until the last edition of the paper dated 15th June, 1974 (No. 211).  A good share of the episodes were in colour, besides, The Slimms made as many as five front cover appearances on 23rd June, 1973 (No. 160), 10th November, 1973 (No. 180), 5th January, 1974 (No. 188), 20th April, 1974 (No. 203) and 18th May, 1974 (No. 207). 

Such was the popularity of the feature that after the demise of COR!! Terry Bave didn’t find it hard to persuade Bob Paynter that The Slimms be transferred to WHIZZER AND CHIPS where weekly appearances of the strip continued through to mid-1979. 

From COR!! dated 1st June, 1974 (No. 209)