Jail Birds started in the first edition of SHIVER AND SHAKE and continued until No. 36 missing 6 issues in between (Nos. 10, 18, 21, 23, 24, 28). The illustrator’s name is unknown to me.
welcome and enjoy!
Hi and welcome to my blog about comics from other people’s childhood! It is dedicated primarily to British humour comics of the 60s and 70s. The reason they are not from my childhood is simply because I didn’t live in the UK back then (nor do I live there now). I knew next to nothing about them until fairly recently but since then I’ve developed a strong liking for the medium and amassed a large collection, including a number of complete or near complete sets. My intention is to use this blog as a channel for sharing my humble knowledge about different titles, favourite characters and creators as I slowly research my collection.
QUICK TIP: this blog is a sequence of posts covering one particular comic at a time. The sequence follows a certain logic, so for maximum results it is recommended that the blog is read from the oldest post up.
Copyright of all images and quotations used here is with their respective owners. Any such copyrighted material is used exclusively for educational purposes and will be removed at first notice. All other text copyright Irmantas P.
Friday, May 10, 2013
A LOOK AT SHIVER & SHAKE STRIPS: JAIL BIRDS
Jail Birds started in the first edition of SHIVER AND SHAKE and continued until No. 36 missing 6 issues in between (Nos. 10, 18, 21, 23, 24, 28). The illustrator’s name is unknown to me.
Tuesday, May 7, 2013
A LOOK AT SHIVER & SHAKE STRIPS: TOUGH NUTT AND SOFTY CENTRE
Tough Nutt was a tough kid who liked fried tree roots and nail sauce for breakfast; he was so tough he flew his kite on barbed wire and used a boat mast for a fishing rod. Softy Centre was a cissy who could throw a fit in front of his parents if his milk was half-a-degree too warm; he was so weak that his weight registered as 'nothing' on the scales and he preferred using a ping-pong ball when playing golf because he didn't have the strength to hit his golf ball off the tee.
Illustrated by Norman Mansbridge, Tough Nutt and Softy Centre must have been popular with the readers of SHIVER AND SHAKE. This is confirmed by the fact that the feature didn’t miss a single week and continued as a two-pager after the pagecount reduction of 1974 and during the weeks when extra pages were allocated to Frankie Stein pull-out booklet and Whoopee! ads. Was it because readers liked to see a frail kid outsmarting a bully or standing up to him every week? Probably so.