1977 SHIVER
AND SHAKE Annual came out in the Summer of 1976. It cost a pound and was 144
pages thick. Here’s what was inside (red
marks the strips that weren’t familiar to readers of SH&Sh weeklies,
earlier annuals and holiday specials):
Spot the
Spooks puzzle; The Ghost’s Revenge (2 episodes, one
in full colour); Ghoul Getters Ltd. (5 episodes, some by Trevor Metcalfe, one in
full colour), Scatty Bat (3 reprints from WHIZZER AND CHIPS, one coloured in);
Demon
Differences (2 spot-the-difference puzzles, one with Scream
Inn and the other one – with Horrornation Street gang); Grimly
Feendish (3 episodes, possibly reprints from SMASH!), The
Hand, Frankie Stein (3 reprints from WHAM!, one coloured-in), Cackles…by
Crocker; Horrornation Street (2 episodes by Tom Williams); Creepy
Car (2 episodes); Spooky Puzzles by Les Barton, Phanto – The Phantom of the Panto by Alf
Saporito; Shake by Mike Lacey (2 episodes in full colour); Sweeny
Toddler by Tom Paterson (2 episodes, one in full colour); The Desert
Fox (2 episodes by Terry Bave in full colour); Blunder Puss by Jim
Crocker in full colour; Tin Tramp and Tinker (4 episodes, two
in full colour); Wizard Prang and Demon Druid (4 Mike Brown reprints from
SMASH/POW); Sports School by Jim Watson; Tobby’s
Timepiece (adventure serial, 15 pages); Lolly Pop (2 episodes by
Sid Burgon), Webster (4 episodes by Terry Bave, including one in full
colour), The Forest Legion (9 pages); Mirth Shakers (2 pages of
gags by Mike Lacey); Tough Nutt and Softy Centre by
Norman Mansbridge in full colour; The Duke’s Spook (2 episodes, one in
full colour); Scream Inn (a 4-pager by Brian
Walker); The Hand; Happy Haunts (2 pages of gags and
stuff by Les Barton); Marshy Maze puzzle; The
Ghost Train Game by Nick Baker.
The 1977
Annual still followed the format of Sh&Sh weeklies with SHAKE section
inserted into SHIVER and separated by blocks of colour pages on both ends.
The
distinctive feature of the 1977 Annual was the inclusion of two new stories
with quite an impressive page count – one was 8 pages and the other one as many
as 15 pages long.
The first
is Phanto
the Phantom of the Panto – a comedy tale in which Mr. Knowe Goode,
manager of a no-good theatre company, picks an old theatre as the venue for his
troupe. Actors disturb the sleep of Phanto the Great Illusionist who starred in
the theatre a hundred years ago and is now the resident spook of the dilapidated
building. Frustrated, the spook tries his best to disrupt the theatre’s Jack and the Beanstalk performance and
take the stage over but the actors outsmart him by sucking him up with a
vacuum-cleaner and imprisoning him in a bag that becomes what a magic lamp had
once become to a genie… The story was in the spooky SHIVER section of the book.
The second
and the longest story was Toby’s Timepiece. It was the
adventure ingredient of the package. It looks somewhat dated to me and I
suspect it may very well be a reprint. Spread out over 15 pages, it tells a
weird and unconvincing tale about the adventures of Toby Todd who separated
from his group during the school visit to the ruins of Headingford castle and
mysteriously slipped into a time warp. On his way to explore the dungeons Toby
has a surprise encounter with a boy dressed in mediaeval clothes. The two start
squabbling over a watch that the strange boy drops as he rushes past Tobby. The
chain of the watch snaps and they find themselves in mediaeval times where
Headingford castle stands intact.
Brutal and sadistic baron makes the two boys
wrestle on a greased pole above a snake pit to decide the ownership of the
watch. In the midst of the fight the magic timepiece makes the baron vanish,
the guards start panicking and the two boys run away. Toby helps the other boy
escape from the castle but realises that he must stay behind and try to recover
the watch because it is his only way to get back to his time. The baron
reappears. It turns out he has just been in the future where he saw Toby’s
classmates walking in the ruins of his castle so he concludes that Toby is an
enemy spy. The baron is about to smash the timepiece to smithereens when the
castle comes under the attack of rebellious peasants led by the escaped boy’s
father. The peasants prevail but the Baron takes the other boy hostage and
tries to make his escape. Toby saves him once again and the boy returns the
favour by giving Toby the watch that he found on the ground. Toby grabs the timepiece as it is about to
vanish and gets transported to a strange world of giant insects where he meets
a tall and lean bald bloke with pointed ears who introduces himself as Caal.
Caal is the true owner of the timepiece (or the time transfer unit as he refers to it). The two team up as they
fight monster ants, spiders and beastly beetles. Caal uses the timepiece to
take both of them to his time in a distant future and gives the watch to Toby
as a gift for saving his life. Toby safely returns to the 20th century and the
story comes to a close, but the ending promises more adventures in the future.
Let’s wait and see what awaits us in later SHIVER & SHAKE publications. In
the meantime, would anyone know who the artist was and whether it was a
reprint? The story was in the SHAKE section of the Annual.
Speaking of
long stories, the Annual also contains a new 9-pager of The Forest Legion in
which the familiar posse of small forest animals foil another criminal plot of
two loopy crooks Boss and Butch who print 50 thousand forged fivers in an
abandoned hut deep in the woods. The story was illustrated by its regular
artist but I am not sure who. Here is how the tale began:
Another new
aspect about the book was the inclusion of 4 pages of horror-themed puzzles and
gags by Les Barton. Les Barton’s style may have not been perfect for strips
like the
Fixer or Ghoul Getters Ltd., but it was ideal for the comedy horror
genre, as illustrated by numerous brilliant episodes of Fiends and Neighbours in
COR!! annuals or the puzzles and gags pages in this Sh&Sh book. Here is an
example:
One thing I find odd about the book is the two pages of Cackles by Crocker. The mid-seventies
was the time when IPC no longer exercised a strict policy of artists’ anonymity
and many artists signed their artwork but the size of Jim Crocker’s logo on
this double-pager dwarfs anything I’ve seen in an IPC comic before…
Now let’s
take a quick look at some of the good old Shiver
and Shake regulars. In the three Grimly Feendish sets the villain
tries to steal a valuable football cup from football museum; then he tries to
rob the waxworks and in the third episode the police decide that Grimly has got
to be caught. I haven’t checked so I can’t be sure but something about the
layout (empty spaces in panels, strange cropping, etc.) suggests that all the
three sets may be reprinted from SMASH! Here is one:
In the five
episodes of Ghoul Getters Ltd. Dad and Archie take care of a haunted tree
who hates kids after some carved their initials on it, a haunted blackboard and
a haunted hay stack that keeps tickling everyone; they also visit a café run by
a ghostly cook, and in one episode a ghost has the upper hand for a change:
It’s
Christmas in Horrornation Street and Santa is worried because last year he
got it all wrong: he brought a first aid kit to the Mummy who wanted a new suit
of bandages, he gave cricket and ping-pong bats to Herr Raisin the vampire who
wanted live pet bats, Hoodoo Yoodoo got a spelling book instead of a book of
magic spells and Headley Deadly got a manicure set instead of a manacle set of
a new light-weight ball and chain. Eager to do better this time, Santa lets
them pick their own gifts.
In the
second episode of Horrornation Street the Mummy and Headley are not happy with
the cold weather so they ask Hoodoo Yoodoo to do something about it. Herr
Raisin is the only one who prefers it cold as the grave..
Below is one
of the two episodes of Sweeny Toddler. It appears that Tom
Paterson had already taken over illustrator’s duties from Leo Baxendale by
then:
It looks
like none of the regular Frankie Stein artists were available
to draw something new for the Annual so the editor included as many as three
reprints of Ken Reid’s old Frankie from WHAM! The sets are from WHAM! No. 111
(30th July, 1966), No. 116 (3rd September, 1966) and No. 143 (11th March,
1967). As usual, all original one-pagers were cut up and re-arranged to fill
more space in the Annual. The first episode appears to be complete with nothing
dropped or altered; the one from issue No. 116 was slightly doctored by cutting
out a couple panels. The third episode suffered the most: they added a new
masthead (a really ugly one, if you ask me), dropped four panels and had
someone colour the rest in. Here is the original from WHAM!
… and here
is what became of it in 1977 Sh&Sh Annual:
The Annual
also includes a bright and cheerful Christmas episode of Scream Inn in which a nice
little lady who writes verses for X-mas cards comes to visit. In the end the
good-humoured lady doesn’t seem to be too upset that the Innkeeper’s trick
prevented her from winning the million quid but the spooks still feel bad
about it and decide to make it up to her with a slap-up Christmas dinner. The
last panel of the set is probably the nicest in the whole Scream Inn file:
Scream Inn also
features in one of the two Demon Differences puzzles in the
Annual (Horrornation Street gang star in the other one). The panel used
in the puzzle is from Whoopee! dated
6th September, 1976 (the Carpenter episode).
I will sign
off with the image of a busy game of The Ghost Train by Nick Baker: