This was the beginning of the 20-weeks long action-packed series of hairbreadth escapes and last-minute rescues for Stan Stilton as he repeatedly got in and out of Gannet Gunge’s clutches with the help of Charlie Cheddar and some other very strange aides. The plot developed at breakneck speed, in defiance of the laws of physics and logic, and was often jazzed up with Monty Python–like absurdity and mad intermissions which made S.O.S (Save Our Stan) stand out amongst traditional MFC strips.
welcome and enjoy!
Hi and welcome to my blog about comics from other people’s childhood! It is dedicated primarily to British humour comics of the 60s and 70s. The reason they are not from my childhood is simply because I didn’t live in the UK back then (nor do I live there now). I knew next to nothing about them until fairly recently but since then I’ve developed a strong liking for the medium and amassed a large collection, including a number of complete or near complete sets. My intention is to use this blog as a channel for sharing my humble knowledge about different titles, favourite characters and creators as I slowly research my collection.
QUICK TIP: this blog is a sequence of posts covering one particular comic at a time. The sequence follows a certain logic, so for maximum results it is recommended that the blog is read from the oldest post up.
Copyright of all images and quotations used here is with their respective owners. Any such copyrighted material is used exclusively for educational purposes and will be removed at first notice. All other text copyright Irmantas P.
Friday, June 6, 2014
A LOOK AT MONSTER FUN STRIPS: S.O.S. (SAVE OUR STAN)
This was the beginning of the 20-weeks long action-packed series of hairbreadth escapes and last-minute rescues for Stan Stilton as he repeatedly got in and out of Gannet Gunge’s clutches with the help of Charlie Cheddar and some other very strange aides. The plot developed at breakneck speed, in defiance of the laws of physics and logic, and was often jazzed up with Monty Python–like absurdity and mad intermissions which made S.O.S (Save Our Stan) stand out amongst traditional MFC strips.
I always liked Nick Baker's Smiler strip from Whoopee! but I'd never seen this one before, and from what you've shown it looks excellent. Wouldn't it be great if Egmont published 'The Collected S.O.S'? Thanks for posting.
ReplyDeleteThe jury’s still on this one with me. I’m not sure whether it was experimental, or overambitious. The humour’s certainly there, and with all the convoluted puzzles it COULD be considered a kind of precursor to Jack Olivier’s glorious lunacy not so many years ahead, but with perhaps too many words. Nick Baker probably gave up the strip to launch Smiler in March 1976 – they couldn’t ALL be like Reg Parlett and juggle several strips at once. Have to call up MF at British Library again to make a proper appraisal.
ReplyDeleteI like the story although I do agree with you it's a bit too heavy on text.
DeleteThis wonderfully busy strip was a mindbending treat each week - and so much more interesting than Smiler! I'm always bemused by those who make out that IPC comics played safe and didn't experiment. Their comics embodied experimentalism, and this strip is one of the good examples.
ReplyDeleteI completely agree with you, Raven. I am surprised how conservative and old-fashioned the Beano and the Dandy look in comparison with any IPC children’s comic of the mid-seventies!
DeleteYes, you see it in the kid characters, as well as IPC's more dynamic and fresh artwork and themes; their modern dress reflected the readers, whereas the Thomson comic kids still all tended to wear shorts and 1930s-1950s gear!
DeleteYep. I remember this from the 70's. Loved it and it was reprinted in the early 1990's in Buster comics. I loved the perils Stan faced each week. My favorites include him tied up next to a time bomb and later tied to a railway track facing the Grungotranian express.
Delete