Ken
Reid is widely recognised as one of the great UK comics illustrators but he is
sometimes overlooked as a brilliant scriptwriter. In this post I will focus on Mr.
Reid’s IPC work.
He
only wrote two strips for the publisher – the first one was SUB
in SCORCHER (the first of Mr. Reid’s eight soccer strips that he drew in 1970 -
1974). Ken wrote scripts for all but the first two of the 31 episodes of this hilarious feature. Here is an example:
The
second was of course Faceache – the long-running strip that
began in JET and transferred to BUSTER when it absorbed JET. The first two
episodes were written by Ian Mennell (I think they were episodes one and three
in the JET run of the strip) before Ken took over as the writer and continued for
more than a decade until BUSTER became BUSTER AND JACKPOT. The last episode of Faceache
that Ken drew to his own script appeared in BUSTER cover-dated January 30th,
1982. Here’s an example of an early one from JET:
I
contacted Dez Skinn who was the BUSTER sub-editor in the seventies and asked
him how he remembered Ken as scriptwriter. Here is what he had to say: “… as the Buster sub-editor I dealt
with Ken on a weekly basis, sometimes chasing him for his finished artwork,
which would arrive with the pencilled lettering that he wanted. Sadly he was
deemed to have overwritten his work (invariably his narrative panels) making it
too detailed for little 'uns so we usually had to cut it back by at least 25%. Like
Alf Saporito on Cor!!'s Gus Gorilla, Terry Bave, Leo Baxendale, Reg Parlett
and many other writer/artists, his scripts were drawn up full twice-up size on
thin paper for the editor’s approval... Given that IPC considered
his work dark, they'd never give him - of all people - carte blanche!“
Faceache
was a big success, as evidenced by its spectacularly long run. After 8 years of
writing and drawing Faceache, Mr. Reid was presented with two awards for the feature
by the Society of Strip Illustration. One was Cartoonist of the Year and the other one – Humorous Script Writer of the Year.
The ceremony took place at the Y-Hotel in London on Sept 23rd, 1978 where Ken’s
prizes were handed to him by Michael Bentine. Untypically, IPC celebrated Ken’s
achievement and recognition by including this short article in BUSTER
cover-dated Nov. 18th, 1978:
When
researching for this blogpost, I remembered Peter Gray’s old website where he showed
Ken’s letter to his penfriend Chris. In the letter Ken tells Chris about the S.S.I.
awards ceremony and his misadventures at the Y-Hotel. Here is the first-hand
account by the man himself (click to enlarge):
Lovely stuff. I'm pretty sure that I used to own the original art for the 2nd strip you featured. Ken was still at the top of his game at this time. Even the strips written for him by others benefited from him adding his own little additions to them.
ReplyDeleteThat was a nice piece of artwork to own! Did you sell it?
DeleteIf it was indeed one of the pages I had, I did eventually sell it, Irmantas. I had around 70 or so pages of original art (by different artists, but quite a few Ken Reid ones - including a Sub strip), and they took up quite a bit of space.
DeleteAh, I would have so bought one or two of those to give you some space!
DeleteHe was a brilliant writer...and of course suited his manic comic style...
ReplyDeleteI know you specially focused on his IPC work here, but did Ken write for any of his Oldhams period, Frankie Stein, Dare a Day Davey etc.?
ReplyDeleteKen wrote 20+ early episodes of Frankie Stein, the whole of Jasper the Grasper and most of Queen of the Seas. Dare-A-Day Davy scripts were supplied by Odhams, as well as those of the Nervs. Ken often added things to the scripts that he received from Odhams.
DeleteIt never would have occurred to me that Reid wrote the scripts himself. For one thing, he wrote in common language very easily – “wiv” instead of “with” – not what I’d have expected from a man from Manchester! For another, that very style is agreeably jarring when compared to other characters’ mode of speech - i.e., Tony Broke’s frequent “You rich rotter”s. When I started reading Buster in 1980, Faceache’s common voice could hardly be ‘heard’, and was completely gone around the time of the Jackpot merger. Reading the earlier stories many years later, the madcap style and language made it very clear what was later lost – upsettingly so. Anyway, Happy New Year!
ReplyDeleteGood posting.
ReplyDeleteCracking good stuff!
ReplyDelete