1984 SHIVER & SHAKE ANNUAL

1984 SHIVER & SHAKE Annual. The price was still £ 1.95 but the volume got even slimmer and only had 96 pages. Like in the 1983 Annual, two different kinds of paper were used - quality white paper for sections with colour pages and pulp paper for the middle section of the book. 

Contents: Wacky Winter Sports (in full colour by Terry Bave), Webster (2 sets by Terry Bave), Sweeny Toddler (2 sets by Tom Paterson, one in full colour), Blunderpuss (2 sets by Terry Bave, one in full colour), Castle Cackle (3 instalments), The Duke’s Spook (2 sets, one in full colour), Horrornation Street (2 sets by Jim Crocker, one in full colour), Shake (4 sets, two in full colour by Mike Lacey, all are reprints), ‘Orrible Hole (2 sets, one in full colour by Crocker), Lolly Pop (2 new sets: a 4-pager and a 3-pager by Sid Burgon), The Desert Fox (by Terry Bave), Shake’s Jumbo Jests (gags by Crocker), The Forest Legion (a 4-pager), Tough Nutt and Softy Centre (2 sets by Norman Mansbridge, one definitely a reprint), Frankie and the Beanstalk (a 5-page tale by Brian Walker), Sports School (2 sets by Jim Watson), The Hand (by Les Barton), Grimly Feendish (2 sets signed by Swotts), Ghoul Getters Ltd. (2 sets by Trevor Metcalfe from SHIVER AND SHAKE Nos. 73 and 77, one coloured-in), Shiver and Shake’s Diamond Dungeon Game (by J. Edward Oliver), Moana Lisa (2 sets by Peter Davidson, one in full colour), Shiver’s Posts For Ghosts (text story with illustrations by Crocker), Ghouldilocks (2 reprints, art by Stan McMurtry), The Hand Presents Me and My Shadow, Toby’s Timepiece (a 5-pager by Ron Turner), Shake’s Picture Posers (spot-the-difference puzzle, reuses an old ShSh cover), The Ghost’s Revenge (4 pages by I don’t know who), Shiver’s Ghostly Giggles (gags by Crocker), Frankie Stein (4 pages by Brian Walker), Shiver (by Terry Bave).

Upon opening the book we find a busy colourful winter sports scene with lots of SHIVER AND SHAKE characters, all drawn by Terry Bave:

With 10 pages of artwork, Terry Bave was the biggest contributor, followed closely by Brian Walker and Jim Crocker (9 pages each). The latter substituted the regular artist Tom Williams on both Horrornation Street episodes in this Annual:

The Forest Legion got a new artist but I don’t know the name. It is the first ever episode without Boss and Butch who are probably spending their days in jail since their last adventure in the previous Annual… This time Winnie the Witch treats the legionnaires to some magic buns and turns them into her slaves so that they do all the chores for her. Mole is the smart one who doesn’t eat his bun; he uses a spell from the Witch’s spell-book against her and makes the nasty old woman lift her spell from his mates.

There are two Frankie Stein stories in the Annual, both illustrated by Brian Walker. In Frankie and the Beanstalk Prof. Cube tries out his new plant food and grows a giant beanstalk. He causes grand-scale disaster when he chops it down as Frankie climbs to the top hoping to find the goose that lays golden eggs. The beanstalk is so tall that Frankie hits the ground in France and the beanstalk disrupts maritime transport across the English Channel. Frankie crosses the Channel back to England and returns home where an accidental spill of the plant food turns him into a giant…

In the second story Dad has to buy a new set of furniture because Frankie’s broken every piece in Mildew Manor but Frankie smashes it again when he tumbles head over heels down a pile of dirt and into the house after Dad jabs him with a spade.

Frankie sitting on a pile of dirt 
moments before Prof. Cube digs himself 
out of it underneath him.

Both Grimly Feendish tales were illustrated by a new artist who signed them as Swotts. In the first episode Grimly plans to “clean up” the town by drowning it in soap-suds from the local laundry. In the second tale Grimly robs a toy shop but gets into trouble when he tries to pay for some sweets with Monopoly money. Here are sample panels from both sets with the artist’s signature:

There are a couple of new features in the Annual. One is Castle Cackle, drawn and signed by Mitch. Here is one of the three installments from the book:

It is the first time that a text story is included in a SHIVER AND SHAKE publication. In a 2-page tale called Shiver’s Posts for Ghosts the protagonist (Shiver the spook) tells us about his efforts to earn himself some cash by standing in for other ghosts while they go on holiday. Check out the first page of the feature below. Jim Crocker provided illustrations.

I would also like to mention Shiver and Shake’s Diamond Dungeon game drawn and signed by J.Edward Oliver:

As usual, I’ve saved my personal highlight for the end of the blogpost. I am not a fan of Toby’s Timepiece but this time I find the story quite good. Ron Turner’s artwork makes it even better. Here it is in full:

1983 SHIVER & SHAKE ANNUAL

1983 SHIVER AND SHAKE Annual still had the price-tag of £ 1.95 but lost 16 pages and was 112 pages thick. As compensation, some were printed in bright full colour on quality white paper, while the sections with b/w strips were on the good old browned pulp-paper.

Contents: Sweeny Toddler (in full colour by Martin Baxendale, signed), Frankie Stein (3 reprints of early sets by Bob Nixon and 1 new 4-pager by Brian Walker, signed), Sports School (in full colour by Jim Watson, signed), Webster (2 sets by Terry Bave), Ghoul Getters Ltd (2 sets, one new in full colour and one reprint, both by Trevor Metcalfe), Grimly Feendish (reprint from SMASH! and a new 4-pager by Paul Ailey), The Ghost’s Revenge (2 sets, one in full colour), Lolly Pop (2 sets by Sid Burgon, one new and one reprint), It’s A Scream by Shiver (gags, 2 installments), The Forest Legion (6 pages), Mirth Shakers by Shake (gags, 2 installments), Terry The Terror (2 sets by an unidentified artist, possibly reprints), The Fixer (2 episodes), Horrornation Street (2 sets by Tom Williams, one new and one possibly a reprints), Moana Lisa (by Frank McDiarmid, reprint from Sh&Sh Holiday Special 1979 and two new episodes by Peter Davidson, including one in full colour), Shiver (2 sets by Terry Bave), Tub (by Nigel Edwards, signed), The Duke’s Spook, Tough Nutt and Softy Centre (2 sets by Norman Mansbridge, possibly reprints), ‘Orrible Hole (by Jim Crocker, signed),  Freaky Funnies (2 pages of jokes and gags), Toby’s Timepiece (8-pager), Shake (by 2 sets by Mike Lacey, reprints), two pages of puzzles and mazes, Ghouldilocks (by Stan McMurtry), Blunder Puss (by Crocker), Spot the Difference puzzle (reused front cover of an old SHIVER AND SHAKE weekly, art by Mike Lacey), Uncle Fester’s Gory Story (8 pages by Mike Brown), The Hand (in full colour by Les Barton), The Desert For (in full colour by Terry Bave), Spooks and Ladders game in full colour.

Let’s take a closer look at some of the strips.

The Forest Legion appeared again after having skipped the previous Annual. In this episode Boss and Butch are not stealing or robbing – they are digging for the stolen loot that Big Butch hid before going to jail. By happy coincidence, the legionnaires find the treasure first. Falling for the legionnaires’ cheeky trick, the two villains dig themselves into Big Butch’s prison cell while the forest animals return the treasure to the rightful owner.

Grimly Feendish is about to become rich at last as he makes his way out from Penthouse Millionaire’s hotel suite with a stolen Popasso painting but his dreams are dashed by a vindictive woodworm whom he has kicked out of his house. The episode must be a reprint. 

In the new Grimly Feendish set by Paul Ailey the rottenest crook in the World tries to rob a theatre by joining the company as a ventriloquist.

In Sweeny Toddler Dad tries to restrain the monster baby by putting him in his playpen but it turns out that the only way for Dad to get some peace and quiet is to be inside the playpen where Sweeny can’t reach him from the outside…

The Annual has 4 episodes of Frankie Stein, three of which are reprints of Bob Nixon’s early sets from either Shiver and Shake or WHOOPEE!, and one is new from the hand of Brian Walker. In it Frankie wrecks Prof. Cube’s car as they are preparing to visit Uncle Bert’s for Christmas. 

One set of Ghoul Getters Ltd. was a reprint of the second-ever episode of the strip, originally from SHIVER AND SHAKE No. 72. In the other episode Ghoul Getters Ltd. use one of their very special plans to handle a ghostly circus act, and then hire it out to Window Cleaners: 

In Toby’s Timepiece, Toby once again finds himself in the future, only this time he gets there together with his clueless teacher. As always, they immediately find themselves in the midst of a menacing situation and a gang of rotten crooks take Toby’s timepiece away. It turns out that in the future it is a priceless antique that can fetch a fortune on the black market because all antiques belong to the state. The crooks escape from the police with their jet-packs while Toby and Teach are led to the security block. The crooks start squabbling over the watch and set it into operation. The timepiece takes them to Toby’s time where they are confronted by Toby’s mates who are concerned about Toby’s and Sir’s sudden disappearance. The greedy men from the future want more “antique” watches but the kids are determined to grab them:

The bump sets the watch off again and the crooks disappear to return to their own time. The timepiece seems to have the ability to bring itself back to Toby so the crooks land in the prison cell. After a good deal of running about corridors of the prison, bashing some policemen and breaking into the control centre to deactivate radio cuffs, cops apprehend Sir and inject him with a memory-erasing drug because they think he has seen their secret records. Catching the cops off guard, Toby grabs the teacher and they both return to their time where Toby surprises his mates and Sir (who remembers nothing that has happened during the last hour because of the injection) with the jet-pack that he borrowed from one of the crooks in the prison cell.

Below is the last panel of the episode of Webster in which the good old spidey saves the bacon of Basil Bond the famous spy as he tries to escape with secret plans by jumping off the roof. Luckily, the spy gets tied up in the end…

Horrornation Street is represented with two episodes. In the first one, that I believe to be a reprint, the Horrors go looking for their ball that a mean parky has kicked into the maze…

The second episode is new material and in it Horrornation Street residents take their X-mas presents to the post office but leave Headley’s head there and finding it among all the X-mas mail turns out to be quite a challenge. In the end it turns out there was no point in taking the presents to the PO in the first place:

This was the third ShSh Annual in a row in which the editors re-used those fine front covers of old SHIVER AND SHAKE weeklies. One became a spot-the-difference puzzle:

…and the other one was re-drawn by Sid Burgon in this short strip:

Now let’s look at the strips that hadn’t been seen in SHIVER AND SHAKE publications before.

Tub is a one-page story about a fat kid who tries to earn some cash to buy a birthday present for his Dad. Art by Nigel Edwards:

Terry The Terror is a strip about another naughty boy who might very well be Sweeny Toddler’s elder brother. I wonder who drew it? My candidates are Tom Paterson, Mike Brown or maybe Martin Baxendale… I am tempted to say that this is a reprint but if it is, dandruff and pong kind of humour suggests the original must have appeared fairly recently...

Last, but by no means least, is Uncle Fester’s Gory Story – Robin Blood and His Merry Vampires. The strip really shines in the Annual and is a classic example of a Badtime Bedtime Book from MONSTER FUN COMIC. It has every characteristic of a BBB (8 pages, folklore tale theme, mad script, crazy gags) but it is not from a MONSTER FUN publication. The format of the pages suggests it may not have been intended for this Annual but if it is a reprint, then I don’t know where from. Marvelous artwork by Mike Brown who was responsible for quite a number of classic BB Books in MONSTER FUN COMIC. It’s for tales like this that I love British comics: